INTRODUCTION
How can you even presume to without
knowing the traditions.l? §
I'm not clever enough, not quick. anyway, that stuffdoesn't last. It's the vision that matters, the the real and worked-out clarity ofvis ion. That's my work. The educatio1J, was the first substantial investment. I have a serious interest in the synthetic integraofthought; Ivalue the sensitiVe
experiences ofperception . . . and lo Ve. The energy runs thru eVerything when it's going, I go
with it, making the mo Yes ac. cording to the opportunities. Got to learn to trust the intuiti Ve aspect ofthe ofthe organisim: to function through the totality of the being. From where my personal space is at that necessarily includes public forms ofexpression. Values. Exchange, lo Ve again: need to maintain that interest, that primitiVe driVe. a completely forthright moti Vation Am I wOrking thrOugh my need to hOld On to what becOmes established? DO I cOnsider that a part o.fthewOrk-Orjust the attachment which generates the conditiOning sentimental cOnsideratiOn? Om what le Vel the permissiOm? TO what emd? FOr the actual purpOse Ofdeliberate cOmstrucTi Ve ThOughT. MiNe.
The poetry of the period, as best exemplified by A, has an impressive complexity which can be traced to varbus contemporary influences. It's tone was spawned in the breach between the rigid framework of Q's blunt humanism and E's procedural formalism. P's contempt of strict, traditional dogma, which was an affrontry to E and more particularly to J, who felt that P should not ignore their obvious importance, had begun the task of filling out that gap. While the emergence of D foresha
dowed the domination of synthetic construction in the vehicle of a robust style which assured Its authority, J felt herself urged by a fresh spirit of rivalry to draw on the formal methods of T. Doubtless more effective means were brought into play by J, who was inclined to a S9vere distillation in her editorializing. In such an
atmosphere, Q, respected though he was, was unlikely to proselytize for what was obviously an already superceded tradition. Meanwhile, K & M & S had withdrawn into complete insularity, unable and unwilling to justify what soon became a maudlin sentimentality. Their prolific efforts were not checked by this self-conscious
ness, but the works continue to enclose little more than personal, anecdotal reference. The work of Z, while sucject to a similar limitation, is nevertheless supplemented by a raw directness of statement which invites attention. Z could well have made significant advances on the merit of his considerable, though arrested, development towards a clear personal statement. Unfortunately, this tendency reached an early climax and deteriorated in the face of the overwhelming success of U, whose expansive spirit carried him much farther & much more rapidly towards a sImilar end. Y and F cherished a regard for the private voice, & pushing the far edge we find 0, who had these characteristics too, exaggerated & specialized. A retained overtones o~ exposure to R's work so strongly N is usually suggested as primary stylistic motivation. But D and J maintained that promise too, as U was also emerging as an undeniable force in that forum. Most important is acknowledgment of A's unorthodox & undoctrinaire synthetiks to remind us adroitly a most significant source for heighten'd sensibility was A's own considerable originality.
§ Quick, tell me the difference. among Olson, Williams & Pound.
A 9 p
N G T o
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N B A c o N c E
ANOTHE PLUS OE CERTAIN WAS THAT HAVING ASKEO THE TERMS
OF BIZ M DECIOEo TO MAKE A QUICK SIO FORTHEWHO\"E DEAL AND SO SOON'S A MAKES THOSE
SWEET SASHAY STEPS I N TO 0
THE PRONE POSITION, M NAILa
HER, STAKING CLAIM. 11
So now 80 run 80 down It can't just take no rlak: Circuits frazzled frcm shock pop rush treat meant, managing something out 01 It. 12
MY BIG MACK Warming up To fuck. Forward: 120 mph God-damn! Hard buns!
Intheverymanylntervenlngdar-DlSTANT: do_sallande Jleryonesnlfflnl!eacbotberattbebole
~CALCULATION Anyway, a bunch of us went to drink and you
Busy, actlve Loose movement 1 I did 't ha h ha 'th
through it. WhatP.Qintpercen-came a ong. n ve muc exc nge Wt you,
tagechangel tJw hI b b' . l l . if
ug remem er etng partwu a y conscwus 0 you. And I was aware that you were a point oj focus for many of tJwse other people though they claimed to deny yov any importance.
p R o o T E s A N
RATES OF ExCHAnGE; MakIj $13.-~. 28Pg, flow ffr.VOKrebUy Off Tv &OTh. pUBlIC ShOw off
S S D N T D T H E
D
LES 'BE IN' DAYS ••• 13 K'S HOT AND DRY. 8TRAND UP
HIOH . N THE NEIGHBOR 0..-U.
HDDos SN'T HERB A STEPPING
STEP? WITH 8, THAT SKIN RAW MONSTER STRUGGLING TO SUR" VIVE HER PLAGUE. aCTH CHOMP
IN FOR A BIT. 14
The .tuff it comes diract from N from when I just lilt. to know now most of the tim•• 15
Gosh, oh weI: is what I meant, shucks oh sure i. what I'm not. 16
AIN'T A &. Y SO DUTY FREE .JUST AS IMPORTANT PUTTINO OUT A. THAT BTU"f" DN THE PLATE? 17
Who's knew in any way next to 0, U ugly bastard jus' no zen right in there. 18
ThatverysamestUlcontinuingevenlng
KKCONFloENCE Gettingready todo It. The
trend seems ullward and I am
crouched to spring. prellared.
Trump My hot Streak Manages
flash: Construction Plays
Immedia~:e
On the delivery Cut to bargain
In place of Your bet After the deal
arrangement Works We correct
Current Eiaborate Continuance
Of return Gain Of stock
In structur'd All right Invested
Moves
COOL: letemjulceatthejaWlloonlletabllloldllckoiltslobbermouth
So that was that· I didn't think much about you. I had no reason to. There was nothing between us, no connection. And I probably never would have thought much about you if I hadn't seen you give one incredibly hot performance.
N A c c E S S B L
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o E S R E F 0 R
THIS IS. OF. SOMETHING IS
l!
OF THIS & OUT OF. SOME IS
THEIR'S THE RUB UH DUB
19
THIS OUT OF. SOME THING
. •• the guy with the red beard and said to him, 'You can't be serious it's obvious
THAT WRITES AND SO SELF
you don't even begin to read D, so HOW could you
be coming outo! him?I' 20 IS OUT OF THIS WRITING. ASFCDNTIN~EB","MAKEH'B NOT ONLY IN ALL OF ITSELF
BEL", HI. ND THING BUTT INTO
A NUIBANc£.21
BUT OUT OF ALL SELF.
ARE WE PALM DRUNK HAND DUG IN? MY COLD HAS LACK PURE QUALMS WHICH ARE & ALSO ANY ARE DUG PURE & DRUNK IN HAND. NOW WHO WERE MERE & MORE PURE?
Onewbo1eJollimonthfurthor.long SIIBLIMA. T l!D; shltltIcaresurelknowidontwantreclprocalre!>ponsl /)IIlty
880REDOM When you came on stage, you were very sullen. Your eyes ~~~:£~ku~:fteb~~~e~fl~~~~IX were small, hal/-closed, and you slouched in the chair. You were
show some RETURN .•.•..•.... ..• dressed well -in a sportscoat -very Ivy League. But your posture
was terribw, and your features almost too classical, your nose too
arched, your mouth too fine.
E M A 13 E WAN
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E c c G N
T N
THE WOMAN WHO LIKED TO LICK
F
In the wet pants of animals resides
Yeah, I know. B1..t so what? 22
because of his line, which he
the fragile whine of constant fear. Sucking,
gets from •• but, J, Id's all an
act 01' light drip. 23 continual complaint answered in a quilted pink robe. It was wrapped around, held ' tight the whole time. That elaborate defense is screaming to be ripped into advantage.
Rlghtlmmed\a~lyTbenandTh.re EXCITED; Plndsometblngyoulustml6btllkebunsmelJsllOodum?
. .INTEREST But when you got up to speak It became apparent how artlcu~?tt·ii:·¥t~t~~i~fgs1!!!!~!~!~~ late those features could be In motion, and how centered you
RELEASE. A definite gain...... were behind your own energy. And you were good, really good. As much as anybody was doing it, you were doing it. It was a heavy hit, and I went for it.
A T T E N T C N
D.AMP SHEETS;. The woman Who Lik'd To Lick; $15.--,,29Pg.. 7LNs.X47wds. PrsonaL, Too Smrt TO bESEnTUhMEtaL"bUt StILL"SocautionS .As to bE pRECiouS...Qu.AGMIR Uv JurIpruDNcz DjM w' 'DncAsoM & MoNUmNTL PRGmUhDSm PossZslv PROUncz Ov THjK vIsOm FR HAbjt OF PrVLDJG by PROpRDy. FZz by Qundry If QwK, Wd fIX bY mvIng dOgg'd XIGNc¥.....
T o N
w H A T s
G
BUD I WON'T MIND FUR A COUPLE UV REASONS: IN
THE~RSTPLACEISLONG
& READ, WELL' SILKY, TH' SECOND MORE SOPHT'MORE oPEN, THIRD AND LAST BE LEAVE THAT END KNOT SPLIT BUT TENDED' GROOMED & SO. LET P OUTGROW HER POODLE DANCING STAGE THAT'S
SO OFF-CENTER. WEALL NOW HOW FERTILE THAT FI ELD. 24
While waiting lor Z to .trut his, D indulged In the attention 01 L
who was very serious. always,
eager to associate with as II that'd
obtain what he was assuming in
that yielding posture. D knew the
kid was full alit but knew too his own l.D. was not apart Irom Its snapshot photo. 25
&PLANE FACED Is this the story Of my
lover-child growing Pace by careful pace? What lOOked around
