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		<id>http://dss-edit.com/elit/wiki/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Fridaysreign</id>
		<title>Introduction to Electronic Literature - User contributions [en]</title>
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		<updated>2026-05-01T18:30:50Z</updated>
		<subtitle>User contributions</subtitle>
		<generator>MediaWiki 1.23.6</generator>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Incorporate</id>
		<title>Incorporate</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Incorporate"/>
				<updated>2017-11-30T09:20:30Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:donaldthefool.png|200px|thumb|right|funny how the man who claims everything is fake news is the most fake.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Given the accessibility of the internet in present time, it’s become quite easy to share one’s opinion and have a lot of people acknowledge it. And even more so when it comes to ignorant remarks—everyone’s always had them but now there’s a way to reach even more people with it. For my final project, I had two ideas: I was considering taking publicly-noted statements that have in one way or another caused some form of impact on a social media and then show the many reactions. In some cases, this has been simply memes while in others there have been whole public statements made as a result, given that sometimes it’s not enough to just mock something with a poor image. This incorporation of responses will allow for a true, full picture of where the issue lies and whether the statement is accepted or not. In any case, I’m still not certain about how I’ll achieve this project. I was considering using a book (Lulu) as my format simply because I like the idea of it being printed out, but I’m also considering a social media platform that allows for threads (such as Twitter). Then, my second idea was something similar. I was just going to take states that Donald Trump has said and around each statement (usually a tweet) make a collage of all the sources that prove that he’s a dirty liar. And because he’s such a pathological liar, I know for sure there’s endless ways to go about this and a lot of information I could gather. The collage would, much like the other option, be taken from articles, social medias, memes, and other sources. The reason I was considering this one was because: 1) he’s always lying 2) it’s frustrating that Twitter won’t remove him and no amount of proving him wrong makes him shut up 3) it’s highly interesting to see how the president of the United States can blatantly lie when one quick google search can prove that it is just that—a lie 4) It’s highly intriguing to see how the world reacts to such an uncommon occurrence, particularly within the internet with the resources/technology provided and 4) I hate him. In any case, I’d probably do it in book format for sure and call it something like “Big Fat Liar: Presidential Edition”. Or maybe something else. My attached image is just a quick screenshot of evidence that he lies i just screenshot up to the first three and there's hundreds more but I think this brings the point home already. It took a few seconds to find... Ugh, he's so embarrassing.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Incorporate</id>
		<title>Incorporate</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Incorporate"/>
				<updated>2017-11-30T09:18:13Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:donaldthefool.png|200px|thumb|right|funny how the man who claims everything is fake news is the most fake.]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Given the accessibility of the internet in present time, it’s become quite easy to share one’s opinion and have a lot of people acknowledge it. And even more so when it comes to ignorant remarks—everyone’s always had them but now there’s a way to reach even more people with it. For my final project, I had two ideas: I was considering taking inflammatory statements that have in one way or another caused some form of impact on a social media and then show the many reactions. In some cases, this has been simply memes while in others there have been whole public statements made as a result, given that sometimes it’s not enough to just mock something with a poor image. In any case, I’m still not certain about how I’ll achieve this project. I was considering using a book (Lulu) as my format simply because I like the idea of it being printed out, but I’m also considering a social media platform that allows for threads (such as Twitter). Then, my second idea was something similar. I was just going to take states that Donald Trump has said and around each statement (usually a tweet) make a collage of all the sources that prove that he’s a dirty liar. And because he’s such a pathological liar, I know for sure there’s endless ways to go about this and a lot of information I could gather. The collage would, much like the other option, be taken from articles, social medias, memes, and other sources. The reason I was considering this one was because: 1) he’s always lying 2) it’s frustrating that Twitter won’t remove him and no amount of proving him wrong makes him shut up 3) it’s highly interesting to see how the president of the United States can blatantly lie when one quick google search can prove that it is just that—a lie 4) It’s highly intriguing to see how the world reacts to such an uncommon occurrence, particularly within the internet with the resources/technology provided and 4) I hate him. In any case, I’d probably do it in book format for sure and call it something like “Big Fat Liar: Presidential Edition”. Or maybe something else. My attached image is just a quick screenshot of evidence that he lies i just screenshot up to the first three and there's hundreds more but I think this brings the point home already. It took a few seconds to find... Ugh, he's so embarrassing.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Incorporate</id>
		<title>Incorporate</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Incorporate"/>
				<updated>2017-11-30T09:17:18Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: Created page with &amp;quot;alt text   Given the accessibility of the internet in present time, it’s become quite easy to share one’s opinion and have a l...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:donaldthefool.png|200px|thumb|right|alt text]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Given the accessibility of the internet in present time, it’s become quite easy to share one’s opinion and have a lot of people acknowledge it. And even more so when it comes to ignorant remarks—everyone’s always had them but now there’s a way to reach even more people with it. For my final project, I had two ideas: I was considering taking inflammatory statements that have in one way or another caused some form of impact on a social media and then show the many reactions. In some cases, this has been simply memes while in others there have been whole public statements made as a result, given that sometimes it’s not enough to just mock something with a poor image. In any case, I’m still not certain about how I’ll achieve this project. I was considering using a book (Lulu) as my format simply because I like the idea of it being printed out, but I’m also considering a social media platform that allows for threads (such as Twitter). Then, my second idea was something similar. I was just going to take states that Donald Trump has said and around each statement (usually a tweet) make a collage of all the sources that prove that he’s a dirty liar. And because he’s such a pathological liar, I know for sure there’s endless ways to go about this and a lot of information I could gather. The collage would, much like the other option, be taken from articles, social medias, memes, and other sources. The reason I was considering this one was because: 1) he’s always lying 2) it’s frustrating that Twitter won’t remove him and no amount of proving him wrong makes him shut up 3) it’s highly interesting to see how the president of the United States can blatantly lie when one quick google search can prove that it is just that—a lie 4) It’s highly intriguing to see how the world reacts to such an uncommon occurrence, particularly within the internet with the resources/technology provided and 4) I hate him. In any case, I’d probably do it in book format for sure and call it something like “Big Fat Liar: Presidential Edition”. Or maybe something else. My attached image is just a quick screenshot of evidence that he lies i just screenshot up to the first three and there's hundreds more but I think this brings the point home already. It took a few seconds to find... Ugh, he's so embarrassing.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/File:Donaldthefool.png</id>
		<title>File:Donaldthefool.png</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/File:Donaldthefool.png"/>
				<updated>2017-11-30T09:14:56Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Platforms</id>
		<title>Platforms</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Platforms"/>
				<updated>2017-11-30T08:58:21Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;I emailed Xanga to reactivate my old [[&amp;quot;blog&amp;quot;]]. I believe I posted snippets of my exciting jr high school life on this account, so it will be hilarious and also embarrassing to look back on them. This might be a good place to start for my final project. I would like to [[incorporate]] my golden years somehow - hopefully, Xanga will be able to give me access. Apparently, I had &amp;quot;shutdown&amp;quot; my account quite some time ago! My posts must have been extremely embarrassing, even to myself, otherwise I am sure I would have kept it for fun.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Focused</id>
		<title>Focused</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Focused"/>
				<updated>2017-11-28T07:30:11Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: Created page with &amp;quot;a book.  a book with images.  a book with poor images.  a book with poor images that don't make sense.    a book with poor images that don't make sense unless one understands...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;a book.&lt;br /&gt;
&lt;br /&gt;
a book with images.&lt;br /&gt;
&lt;br /&gt;
a book with poor images.&lt;br /&gt;
&lt;br /&gt;
a book with poor images that don't make sense.&lt;br /&gt;
&lt;br /&gt;
  a book with poor images that don't make sense unless one understands the obscure references.&lt;br /&gt;
&lt;br /&gt;
a book with poor images that don't make sense unless one understands the obscure references because the wide accessibility of the internet has allowed for niche content  to thrive and reach intended audiences, interestingly enough.&lt;br /&gt;
&lt;br /&gt;
or perhaps a pdf.&lt;br /&gt;
&lt;br /&gt;
a pdf with words.&lt;br /&gt;
&lt;br /&gt;
a pdf with words from essays.&lt;br /&gt;
&lt;br /&gt;
a pdf with words from essays that relate to the class.&lt;br /&gt;
&lt;br /&gt;
  a pdf with wreaded words from essays that relate to the class even if also possibly not.&lt;br /&gt;
&lt;br /&gt;
a pdf with wreaded words from essays taken from the syllabus and deformed into something new entirely, much like we've done previously in class.&lt;br /&gt;
&lt;br /&gt;
a game.&lt;br /&gt;
&lt;br /&gt;
a video game.&lt;br /&gt;
&lt;br /&gt;
a video game of moving images.&lt;br /&gt;
&lt;br /&gt;
a video game of moving images that are actually words.&lt;br /&gt;
&lt;br /&gt;
  a video game of interactive gifs.&lt;br /&gt;
&lt;br /&gt;
a video game of moving images that are actually words and together make a word, but are really neither.&lt;br /&gt;
&lt;br /&gt;
a social media.&lt;br /&gt;
&lt;br /&gt;
a social media account with a concept.&lt;br /&gt;
&lt;br /&gt;
  a conceptual social media account that is interesting.&lt;br /&gt;
&lt;br /&gt;
a conceptual social media account that is interesting and a bot but also interesting because it follows a particularly fascinating pattern while also using the social media platform in an odd way.&lt;br /&gt;
&lt;br /&gt;
a word.&lt;br /&gt;
&lt;br /&gt;
a word document composed of words.&lt;br /&gt;
&lt;br /&gt;
a word document composed of words that make an essay.&lt;br /&gt;
&lt;br /&gt;
  a boring essay on Microsoft Word, perhaps. If nothing else comes to mind.&lt;br /&gt;
&lt;br /&gt;
yeah.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Interpreting</id>
		<title>Interpreting</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Interpreting"/>
				<updated>2017-11-28T07:03:49Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This past Thursday (October 26th, 2017) we did not have an in-class meeting, but instead chatted online about works we (my classmates and I) believe should be added to the syllabus. These include creative as well as critical works, which I think is important. I think this balance is important because while critical works set the foundation for understanding countless facets of electronic literature, creative works apply these concepts and allow us to view them in action. In the chat, we [[focused]] on creative works, such as videos and games. I had never seen these videos prior to engaging with my classmates, and it made interpreting these creative works much more exciting. This is because I was able to build my ideas or opinions off of my classmates' and vice versa. In other words, interpreting different works (such as creative works) becomes more insightful when your peers are also contributing their ideas on the matter. Turning reading and analyzing into a social activity is fascinating, and something that I had not deeply considered before taking this class. Overall, I am very satisfied with how Thursday's meeting went, and I would be happy to do the same activity or a similar activity in an upcoming class (whether that be in a real class meeting or on an online chat again).&lt;br /&gt;
[[File:Interpretation.jpeg|200px|thumb|right|do you read what i read? no, really, do you? are you sure?]]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Post-Digital_Objects</id>
		<title>Post-Digital Objects</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Post-Digital_Objects"/>
				<updated>2017-11-14T07:08:16Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;ak [https://www.zazzle.com/personalized_skateboarding_deck-186104620587553361]&lt;br /&gt;
[[File:Skateboard.png]]&lt;br /&gt;
&lt;br /&gt;
Ahh [http://www.cafepress.com/cp/customize/product2.aspx?from=CustomDesigner&amp;amp;number=161166709][[File:capture.jpg]]&lt;br /&gt;
&lt;br /&gt;
Ultimate Sith Lord [https://www.zazzle.com/pd/spp/pt-zazzle_button?pd=145189715486365911&amp;amp;get_started_dialog=false&amp;amp;style=round_button&amp;amp;size=4.0&amp;amp;design.areas=%5Bround_button_4_front%5D&amp;amp;context=114948436752540819&amp;amp;view=113175413667360156&amp;amp;customize_it=true] [[File:BiPin.png]]&lt;br /&gt;
&lt;br /&gt;
Gone Girls: A Chinese Social Media Calendar [https://www.zazzle.com/z/ohnkn?rf=238584585323274374]&lt;br /&gt;
[[File:Calendar.png]]&lt;br /&gt;
&lt;br /&gt;
[http://www.cafepress.com/+gray_victorian_stripes_personalized_mini_button,1650185276]&lt;br /&gt;
TC- [[File:SL.png]]&lt;br /&gt;
&lt;br /&gt;
B.L. [https://www.zazzle.com/pd/spp/pt-fuji_fleximagnet?pd=160253066305325380&amp;amp;get_started_dialog=false&amp;amp;style=3x4&amp;amp;design.areas=%5B3x4_front_vert%5D&amp;amp;context=114997964782531219&amp;amp;view=113340096181419361&amp;amp;customize_it=true]&lt;br /&gt;
[[File:Magnet.png]]&lt;br /&gt;
&lt;br /&gt;
R.T. [http://www.cafepress.com/cp/customize/product.aspx?number=162336037]&lt;br /&gt;
[[File: Post-digital product.png]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
L.R.[http://www.cafepress.com/cp/viewcart.aspx?s=selfbuy&amp;amp;keepshopping=%2fselfbuy]&lt;br /&gt;
[[File: Shower-Curtain.jpg]]&lt;br /&gt;
&lt;br /&gt;
K.U. [https://www.zazzle.com/pd/spp/pt-zazzle_keychain?dz=e2e516a1-3529-438d-a001-29e3aa13f2e5&amp;amp;side_name=front&amp;amp;style=round_keychain&amp;amp;size=2.25&amp;amp;design.areas=%5Bfront_horz%5D&amp;amp;context=114529070928263395&amp;amp;view=113908062333046724]&lt;br /&gt;
[[File: Keychain product.jpg]]&lt;br /&gt;
&lt;br /&gt;
CC &lt;br /&gt;
[https://www.makestickers.com/design/171113155203-0t0lv0dxhff4go0lioz2hq1u?pgid=cb689947-8001-4c34-911b-8c1b96e80dd2]&lt;br /&gt;
&amp;lt;br/&amp;gt;&lt;br /&gt;
[[File: In_a_deserted_airport.jpg|400px]]&lt;br /&gt;
&lt;br /&gt;
B.K.S. [http://www.cafepress.com/mf/111447537/postdigital-cage_mugs?productId=163153093]&lt;br /&gt;
[[File: Post-cage_mug.png]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
H.H.&lt;br /&gt;
[https://www.zazzle.com/pd/spp/pt-zazzle_keychain?dz=f855417b-6737-440b-9b5c-5f7941886d95&amp;amp;clone=true&amp;amp;pending=true&amp;amp;social=true&amp;amp;style=round_keychain&amp;amp;size=2.25&amp;amp;design.areas=%5Bfront_horz%5D&amp;amp;view=113191793730158827&amp;amp;utm_medium=Email&amp;amp;utm_source=ProductShareToSenderV2&amp;amp;utm_content=viewbutton-share_npepf]&lt;br /&gt;
[[File:unnamed.jpg]]&lt;br /&gt;
&lt;br /&gt;
msl. [http://dss-edit.com/elit/wiki/index.php?title=2017.145]&lt;br /&gt;
[[File:notforeveryone.jpg]]&lt;br /&gt;
&lt;br /&gt;
LM [https://www.zazzle.com/the_post_digital_walt_whitman_coffee_mug-168833273063555296] [[File:pdww.png|550px]]&lt;br /&gt;
&lt;br /&gt;
S.K. [https://www.zazzle.com/z/oaepq?rf=238042114372788340] [[File:TheLibraryofBabel.jpg]]&lt;br /&gt;
&lt;br /&gt;
L.Y. [https://www.zazzle.com/z/oakb2?rf=238853390982089085]&lt;br /&gt;
[[File:case.jpg]]&lt;br /&gt;
&lt;br /&gt;
DK [https://www.zazzle.com/pd/spp/pt-chandlerscandles_pillarcandle?dz=d7826b32-7c86-4e31-9a24-9424798e2f6d&amp;amp;side_name=front&amp;amp;size=3x4&amp;amp;design.areas=%5Bchandlerscandles_pillarcandle_3x4_front%5D&amp;amp;context=114699858786462415&amp;amp;view=113019550034018106]&lt;br /&gt;
[[File:pdfsmell.png|300px]]&lt;br /&gt;
&lt;br /&gt;
SS Praise Yerself Basic B Tee&lt;br /&gt;
[[File:PYTee.png]]&lt;br /&gt;
[https://www.zazzle.com/elit_praise_yerself_basic_b_tee-235003308015304718]&lt;br /&gt;
&lt;br /&gt;
egk [https://www.zazzle.com/the_egg_iphone_8_plus_7_plus_case-179925456825542258]&lt;br /&gt;
[[File:TheEgg.png]]&lt;br /&gt;
&lt;br /&gt;
H.A.&lt;br /&gt;
[https://www.zazzle.com/custom_12_x_12_canvas-192429994291513112]&lt;br /&gt;
[[File:belladonna.jpg]]&lt;br /&gt;
&lt;br /&gt;
A.G. &lt;br /&gt;
[https://www.zazzle.com/pd/spp/pt-hamptontech_pingpongpaddle?pd=256908551209089994&amp;amp;get_started_dialog=false&amp;amp;backstyle=black&amp;amp;design.areas=%5Bhamptontech_pingpongpaddle_front%5D&amp;amp;context=114545480977447346&amp;amp;view=113486439360235037&amp;amp;customize_it=true]&lt;br /&gt;
[[File:Postdigital.png]]&lt;br /&gt;
&lt;br /&gt;
B.L-S&lt;br /&gt;
[https://www.zazzle.com/z/oabhz]&lt;br /&gt;
[[File:pillow.png]]&lt;br /&gt;
&lt;br /&gt;
H.A.&lt;br /&gt;
[https://www.zazzle.com/z/oaba0?rf=238069332498932093]&lt;br /&gt;
[[File:Magnet_ttgttpd.PNG]]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/File:Magnet_ttgttpd.PNG</id>
		<title>File:Magnet ttgttpd.PNG</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/File:Magnet_ttgttpd.PNG"/>
				<updated>2017-11-14T07:04:24Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Wreading_E-Lit</id>
		<title>Wreading E-Lit</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Wreading_E-Lit"/>
				<updated>2017-11-07T22:16:34Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
'''An Inventory of Approaches to Wreading E-Lit'''&lt;br /&gt;
&lt;br /&gt;
Optionally compiled November 5th, 2017&lt;br /&gt;
&lt;br /&gt;
SB_Sultan https://twitter.com/Metallicandies_&lt;br /&gt;
&lt;br /&gt;
R.T. &amp;quot;Unfailed Gaiman Tales&amp;quot; Front page [http://newhive.com/rebeccatan/ufgt-front-page], story for January [http://newhive.com/rebeccatan/ufgt-january], story for February [http://newhive.com/rebeccatan/ufgt-february], story for March [http://newhive.com/rebeccatan/ufgt-march], story for April[http://newhive.com/rebeccatan/ufgt-april].&lt;br /&gt;
&lt;br /&gt;
I.B. &amp;quot;Calling Card 3 and 4&amp;quot; https://www.instagram.com/callingcard3and4/&lt;br /&gt;
&lt;br /&gt;
L.M. &amp;quot;Snap-a-Poem&amp;quot; [https://www.youtube.com/watch?v=E9KYQXmD2VI]&lt;br /&gt;
&lt;br /&gt;
K.U. &amp;quot;The Garden of Forking Paths&amp;quot; https://www.instagram.com/pentsui/&lt;br /&gt;
&lt;br /&gt;
T.C   &amp;quot;Suicide Letter&amp;quot; [https://markjinstory.wixsite.com/suicideletter]&lt;br /&gt;
&lt;br /&gt;
B.L. &amp;quot;beginning of the world&amp;quot; [http://philome.la/bellaleeeee/beginning-of-the-world/play]&lt;br /&gt;
&lt;br /&gt;
B.K.S. &amp;quot;escape.&amp;quot; [http://philome.la/brianna_kelly__/escape/play]&lt;br /&gt;
&lt;br /&gt;
A.G. &amp;quot;100 Haikus: In Defense of the Poor Image&amp;quot; [https://thepoorimage.bandcamp.com/track/100-haikus-in-defense-of-the-poor-image]&lt;br /&gt;
&lt;br /&gt;
R.S. &amp;quot;Study Bust Down The Doors!&amp;quot; [http://newhive.com/bleecka/studybustdownthedoors]&lt;br /&gt;
&lt;br /&gt;
L.Y. &amp;quot;Out of the Woods&amp;quot; [http://newhive.com/elit/title?q=%40elit%20%23thewoodselit]&lt;br /&gt;
&lt;br /&gt;
DK &amp;quot;Pet Simulatrix&amp;quot; [http://philome.la/dylankarlsson/pet-simulatrix/play]&lt;br /&gt;
&lt;br /&gt;
S.G. &amp;quot;Lost In the Woods&amp;quot; [https://elit-wiki-post-game.neocities.org/Lost%20In%20the%20Woods.html]&lt;br /&gt;
&lt;br /&gt;
S.K. &amp;quot;An Oratorical Rendition from the Library of Babel&amp;quot; [http://newhive.com/classified/an-oratorical-rendition-from-the-library-of-babel]&lt;br /&gt;
&lt;br /&gt;
A.K. http://newhive.com/withthosewelovealive/with-those-we-love-alive-2-0&lt;br /&gt;
&lt;br /&gt;
H.A. “Praise or Criticism?” [https://praiseorcriticism.tumblr.com]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Conflicts</id>
		<title>Conflicts</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Conflicts"/>
				<updated>2017-11-07T07:43:40Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Inappropriate.png|400px|thumb|right|Some things should not be done, even ironically. No shade though... or whatever.]]&lt;br /&gt;
&lt;br /&gt;
to send or not to send&lt;br /&gt;
&lt;br /&gt;
== CW :: NSFW ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
IM DELETING YOU, DADDY!😭👋 ██]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]] 10% complete..... ████]]]]]]]]]]]]]]]]]]]]]]]]]]] 35% complete.... ███████]]]]]]]]]]]]]]]] 60% complete.... ███████████] 99% complete..... 🚫ERROR!🚫 💯True💯 Daddies are irreplaceable 💖I could never delete you Daddy!💖 Send this to ten other 👪Daddies👪 who give you 💦cummies💦 Or never get called ☁️squishy☁️ again❌❌😬😬❌❌ If you get 0 Back: no cummies for you 🚫🚫👿 3 back: you're squishy☁️💦 5 back: you're daddy's kitten😽👼💦 10+ back: Daddy ✋✋✋✋✋hol' up hol' up ✋✋ looks 👀 like we got a master 🎓 memer 🐸🐸🐸 over here 👈👈👈👩👩 hold on to your 👙panties👙ladies!💋💁fuccbois better back the hell ⬆️up⬆️ this absolute 🙀🙀🙀 maaaaaadman!!1! 👹 all you other aspiring 🌽🌽 memers👽👻💀 mmmight as wwwell give up! 👎👎👎👎cuse 👉this guy👈is as good 👌👌👌as it gets! 👏👏👏😹😹 OMG 😱😱😱 BRO👬 CALM 😴😴 DOWN BRO ⬇️⬇️ SIMMER ☕️☕️ DOWN⬇️⬇️ U WANNA KNOW Y⁉️ BC 💁💁 IT WAS JUST A PRANK 😂😂😂 😛😜 HAHAHA GOT U 👌👌 U FUKIN RETARD 😂😁😁THERE'S A CAMERA 📹📷 RIGHT OVER 👈👇👆☝️ THERE 📍U FAGOT 👨‍❤️‍💋‍👨👨‍❤️‍💋‍👨👐WE 👨‍👨‍👦 GOT U BRO👬. I BET U DIDNT 🙅🙅NOE 💆HOW 2⃣ REACT WHEN MY 🙋 BRO DESMOND 😎😎 CAME UP ⬆️ TO U AND 💦💦😫😫 JIZZED ALL OVER UR 👖👖 SWEET JEANS 😂😂 IT WAS SO FUNNY 😂😛😀😀😅 NOW U HAVE 🙋👅👅 SUM BABY👶👶 GRAVY 💦🍲 ALL OVER THEM SHITS😵😵 Merry ⛄️🌟 Christmas Babe 🔥🍑👅 I hope 🙏🏼👏🏼 Santa comes 👄💦😩 to visit you 👣👟and give 👍🏼 you a package 🙈📦💌💦. Hope you were a 😇🙂 good girl 😛🍆 this year instead of the😽 usual 😼 naughty 🙄 girl 💦🍑👅😛😫🔥🔥. Santa is definitely ✊🏻 coming 💧tonight 🎅🏿🎅🏻😳😏 and he's gonna 😍😘 stuff your stocking 😝👌🏽👈🏽 with goodies 💋💄👙👗 tonight on this 🎄Christmas 🎄night ❄️⛄️☃🌨💫. Santa 🎅🏻 is gonna 💪🏿💪🏼✊🏻squeeze 🖖🏻down your 👧🏽 😰 narrow 😛😍chimney 🏡🏠 and show you 👀 that you've been a very👸🏽👸🏽 naughty 😏😫😝 girl. Then his 💁🏼 helper 😬😏 Boy 🍆🙃🙂 is gonna 🎄sleigh you baby 😛😏😲👐🏼🙌🏻 and inspect 🕵🔎🔍 that 🍑 sweet 💦 ass🍑 because that's what 👉🏽you👈🏽 want for Christmas 🍑💦😛🔥😏😍🍆👅👀 Santa 🎅🏻 is cumin😻👽 to town 🏢🏦🏬🏚🏡🏠🏣🏤 the clock 🕐 is ticking 🙄 be ready 😏😛🍆 Santa is cumin down↘️⬇️↙️ your👌🏽😍 chimney🖖🏻👅 tonight 😮and he's gonna 😨drown in that chimney 🤐😰💦💧☔️🏊🏼🏄🏼🚣🏼 of yours 🛀🏼🍆🍑 SLEIGH 🎄🎄 🎅🏻SANTA🎅🏻 🎄🎄 SLEIGH 🍆😩💦👩‍❤️‍💋‍👩 😜 u candy cane cum guzzler 👅🎄DICKCEMBER🎄is here and u know what that means ❄ HOE HOE HOE season has arrived 🎅 put on your rudolph panties 🔴 pop ur peppermint pussy 🍬 and sit by the fireplace with some hot COCKLATE 🍆☕if u want to get RAWED 👉👌 under the  mistletoe 🌿 this christmAss 🎁 send this to 15 of your sluttiest elves 👩👨 if u get 0 back 😔 ur an UGLY GRINCH👀 if u get 5 back 😌  🔥🙌 SHARE in 69 😉💦 seconds or you won’t be gettin dicked down 😱 in 2❕0❕1❕6 It’s the end of COCKtober 😫🎃🍆 but that means the beginning of 💦💦💦 HOEvember!! 💦💦👅 get ready 😱 for SPANKS-GIVING 👋😏🍑 send this to 1️⃣4️⃣ hoes who need to be spanked 🙌🏼 by daddy 💘👦🏽🗣 if you get this message 📧💌 you will get a special 😲 spanking 👏 from SUGAR DADDY 🤑💰💶 forward this to 1️⃣4️⃣ fuckgirls 💁💋👛 to get some 🍑👈 in-the-BUTT-ACTION 💨 If you don’t, 😖 be prepared 😰 for 6️⃣9️⃣ days without the D ❌🚫🆘‼️Hey‼️all you 👇Littles out there👧🏼🙈it’s 😍SUCKTEMBER 😍😍😩🍆You👇know what❔that means🙊Pumpkin🎃🎃Spice🎃🎃CUMMIES💦💦💦😩are back😜All 👇you👇basic princesses 👸👸know what to do🙈🍆🍆😩. 🙌use those hands🙌for 😍DADDY😍😩🍆👨🏻👨🏻1 ✊pump ✊💦drink it up💦. 2 ✊pump ✊get 🎉fucked 🎉3. ✊pumps✊ of 💥Spicy 💥cummies 💦💦in your 🎃pumpkin🎃 ☕️🥛latte🥛☕️. Oh yummy! 👻 😂📨send📨THIS⬅️TO➡️all the daddy’s 👨🏻🍆😩for ALL😵THE 💦cummies 💦: send📨 it to1️⃣daddy for 🎃pumpkin cummies🎃💦SeNd 2 2️⃣daddys for 👅🎃pumpkin👅👅licks cummies🎃💦SeNd to 5️⃣ daddys For a 🎃PUMPkin 🍆💦💦cummies💦💦SHOWER☔️☔️☔️🎃Thank god 🙏 that anxiety 😜👌👄 decided to kick 👞🔥in when I wanted 🗣💪🙆‍♂️ to go to bed 😴. Like who would I 🙋‍♂️🎉be if I didn’t ❌lose 3️⃣ hours of sleep📉⌛️⏰⏳📉? Life would be so much better👍 if I slept more ⬆️but sleep 👏is 👏for 👏the 👏weak 👏apparently. Anyway send this to 🔟 people or you’re 🤷‍♂️🤷‍♀️a well rested bitch 😒😴🛌. Get 5️⃣ back and you’re a groggy 🐸hoe 👨‍🌾🛏👩‍🌾 . Get 🔟back and you’re a sleep deprived slut 🍆👅🍑.💁🏻‍💁🏻‍ happy 🔯 passover 🔯 SLUTS 👯 moses parted 🌊 🌊the sea 💦💦 and we’ll be parting these legs 👅 👅 ❌❌no 🚫🚫 leavened 🍞 bread 🍞 but we’ll RISE 🍆 these 🍆dicks 🍆 send 💌 💌 this to your FIVE favorite nafkas 👯 👯 if you get NONE back you’ll be 😖 😖 plagued with ❌❌no 🚫🚫SHVANTZ 🍆 🍆  if you get 🔟  back you’ll be 😱screaming😱 😱 DAYENU if you get EIGHTEEN back you’ll get nice 👨🏽 jewish 👨🏻 boy AND 👨🏼 shaygetz 👨🏼 DICK 🍆🍆 happy shtupping 🍆🍑 🍆🍑👋🏻HEY👋🏻 YOU seXXXy💋 LITTLE😫 💃🏼💃🏼SLUTS💃🏼👅‼️‼️📆Today📆 is 💥FUCKUARY 14TH💥 which means👨🏻DADDY CUPID💘💘 is 💦cumming💦 for you⚠️‼️‼️ He’s been ✊🏼YANKING✊🏼😩on his bow🏹 and arrow💘 all night😖 getting ready to 🎯shoot😩👅💦 all over you 😱😩🤣😜😘😍🍆🍆💦💧 so Daddy Cupid draw 🔙 your bow 🏹and let that 💦🤣CUM FLOW➡️👅 💦 ‼️This day only 💦CUMS💦 once a year 📅so ❌rip off❌ your 👗clothes👙 and JUMP 👏🏻ON 👏🏻THAT👏🏻 GOOD 👏🏻DICK!😂😩💗 🙏🏻Saint🙌🏻 Valentine💕🌹 is the 💞SLUTTIEST 👄Saint there is, so 👈🏻spread👉🏻your holy 🙌🏻bible ⬅️wide➡️ to take everything 😵😬😍😆he’s got🙏🏻. 💌☄️SEND💌to 5 💄VALENHOES💋so 👉🏻you👈🏻 can get 😫🤗OFF😊 tonight 👍🏻😵😜❤️💕‼️ if you 😵DON'T😵 you’ll be 👎🏻STUCK ❌without❌ 😖CHOCColate🍫🍫 or 🥖long😩🍆thicc😱🍆 🌹PLOW-HERS🌷🌷for the next 6️⃣9️⃣ YEARS!!!! 😱😭😵😫😜😂😂Hey there you 💦💦 CUMpkin pie 🍰👅 lover 😘 it’s finally HOEvember 🍂🌰🍅 time to be 😉 thankful 😏😜💋 for all that sweet potato 🍊 PUSSY 🌺🌺🌸👅 you’ve had this fall…..now send this to t e n 1️⃣0️⃣ of your 👄💦 sexiest 😛😛 🦃 TURKEY 🦃 sluts in the next 🕕 1 5 seconds 🕒 or you’ll miss out 😵😵 on BLACK✨CLITDAY 🌷🌸🌺🌹🌻DEALS!!! 👎😨 if you get FIVE 5️⃣ back then you’re officially 😳 a 😮 SEXY STUFFING 🐂🍞 slut 😘👏🏻💦 if you get tEn 5️⃣➕5️⃣ then you can look forward to 😏😋 a FUCKtastic 👅💦Christmas (you’ve never heard of that 😵😛👅👄👌🏻💦💦💦) HAPPY😄 HOEVEMBER💁 MY BITCHES🐶👱🏼‍♀️🍗SKANKSGIVING🦃 IS RIGHT➡️ AROUND🔁 THE CORNER🔜 I HOPE🙏 YOURE👀 READY TO 🍴GOBBLE👅👄 DOWN ⬇️THAT 🦃TURKEY 🍆COCK 🍽AND 😩CHOKE ‼️DOWN⬇️ THOSE M🍑ASS🍑HED POTATOES🍚 AND 💦CUMMIES 🙅❗️DONT ❗️🙅‍♂️FORGET 2️⃣ ASK❓ 👱🏿DADDY👨🏽TO PASS💁‍♂️ THE 🍛GRAVY🍴 OR YOUR ASS🍑IS GONNA BE TOO ❌DRY❌ TO 🍆STUFF💔 SEND📲 THIS TO 5️⃣ HOES👩🏾 THAT YOU REALLY‼️ WANNA 🍆🍑STUFF🌮Happy😃Halloween 🎃 you slutty💦slutty GHOULS 👻 time for 🕠 the one day 1️⃣ a year you CAN 👙 dress slutty 😳 without 🚫 an excuse! 👍🏻 SO take out your 🐱 cat ears AND 🐰 bunny tail &amp;amp; hop on 😉 the witches’ broom 🍆 TRICK or TREAT 👌🏻🎉 is what you ASK 🤗 so dance around 💃🏼 to see some A$$ 🍑💦 SEND THIS to 📭 every BLOOD-sucking 🍷 soul-stealing 😒 dick-eating 🍆 BITCH you know ✌🏻️ to wish them a SEXY 💘 night! Get 1️⃣0️⃣ back and you’re 😘😍 the freakiest 💦 MONSTER around 🐊 Get 5️⃣ back 👌🏻 and you’re a 🔥 spicy VAMPIRE! Get 0️⃣ back &amp;amp; you 😪 got a can of pop 🍾 in your bag!👎🏻 HAPPY HOE-LLOWEEN! 🎃HAPPY JULY F(WHORE)TH BITCHES!!!!!🇺🇸🇺🇸🇺🇸🇺🇸🇺🇸 be proud of your CUMtry as you fight for your freedom to FUCK 🍆💦😩 don't be independent today, find yourself a FOUNDING DADDY 😉 to shoot his FIREWORKS into you 😩🎆 if you want a sexy freedom fighter to give you his hotdog 🌭 just yell 🔴&amp;quot;THE REDCOATS ARE CUMMING&amp;quot;🔴 it doesn't matter if you're a down-ass 😏😏😏 ALEXANDER HAMILTON type bitch or shy and thick like BENJAMIN FRANKLIN 🍑💦 send this to 10 other freedom lovin' sluts🇺🇸 or you'll be thrown away 💁🏻🚮 like tea into the water 🐸☕️🌊 don't forget your Independence Day CUMMIES!!!💦💦💦&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/File:Inappropriate.png</id>
		<title>File:Inappropriate.png</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/File:Inappropriate.png"/>
				<updated>2017-11-07T07:41:30Z</updated>
		
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		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/File:Innappropriate.png</id>
		<title>File:Innappropriate.png</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/File:Innappropriate.png"/>
				<updated>2017-11-07T07:38:42Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
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		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Instagram</id>
		<title>Instagram</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Instagram"/>
				<updated>2017-11-07T07:34:47Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Instagram_2.jpg|200px|thumb|right|Instagram's current logo. Instagram was founded in 2010.]]&lt;br /&gt;
&lt;br /&gt;
Artist Richard Prince has been making headlines again recently when his 2014 Instagram-sourced “New Portraits” resurfaced last month at Frieze Art Fair New York. Prince scours Instagram for public photos (often sexualized female portraits), adds his own comment, and then enlarges the image and prints it on canvas.&lt;br /&gt;
&lt;br /&gt;
Prince has long been famous for appropriating images, putting his name on them, and selling them for ridiculously high price tags. But he has just met his match with Selena Mooney, founder of the SuicideGirls website. Mooney is selling the original Instagram photos appropriated by Prince for a mere $90 as opposed to his $90,000 charge.&lt;br /&gt;
&lt;br /&gt;
Lynne Cooke’s review of Prince’s 1992 show seems to summarize current reactions to his recent series “New Portraits” presented by the Gagosian Gallery. Cooke theorizes that, like any established brand name, much of his success rests on his earlier reputation. She notes:&lt;br /&gt;
&lt;br /&gt;
Much of the commentary on Prince’s work initially concentrated on its relationship to issues of appropriation, simulation, and to postmodernist attacks on the so-called modernist myths of originality, authorship, and authenticity.&lt;br /&gt;
&lt;br /&gt;
Prince’s artistic practice has always been challenged by critics, though likewise his very forthright practice and process challenges viewers, gallerists, art patrons, and the public at large to consider and debate the very value of art and copyright, now questioning what it means to own, create, and appropriate public art in this digital age.&lt;br /&gt;
&lt;br /&gt;
In a 1988 interview with Prince, Marvin Halferman asked about Warhol’s influence upon his photographic works, to which Prince responded, “I wanted to use photography because it has another…history. Painting, silk screen, drawing, they suggest something else. But photography suggested belief. It suggests fact. I thought that because I was choosing subject matter that was in fact, fiction, it might be better to use a factual medium to level that fiction, to occupy an area of ‘official fiction.’”&lt;br /&gt;
&lt;br /&gt;
It seems that Prince’s blending of fact and fiction via photography has now expanded into the much murkier waters of social media, where an exponentially growing public archive is available to him as his medium.&lt;br /&gt;
&lt;br /&gt;
Whether praised for his continued relevance in the conversation surrounding ownership and the digital archive or whether condemned for his lack of originality and accused of outright stealing, Prince continues to sell his work and name while sparking important and relevant conversations.&lt;br /&gt;
&lt;br /&gt;
Cooke sums it up best back in ‘92 saying, “Whether it is encountered in actuality or in reproduction matters little, for Prince’s works function best when they act as reminders of themselves, as traces of what has already been seen, revealed, or known.” Instagram [https://ischool.syr.edu/infospace/2011/12/15/what-is-instagram-and-why-is-it-so-popular/] currently has 300 million active users who are likely intricately and personally embedded in this network of friends, family, celebrity, and strangers alike.&lt;br /&gt;
&lt;br /&gt;
By tapping into this network and appropriating these images, Prince continues the legacy Cooke alludes to—his work is at once intimate, known, familiar, irritating, and (at least monetarily) successful.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/File:Instagram_2.jpg</id>
		<title>File:Instagram 2.jpg</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/File:Instagram_2.jpg"/>
				<updated>2017-11-07T07:32:32Z</updated>
		
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		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Narrative</id>
		<title>Narrative</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Narrative"/>
				<updated>2017-11-07T07:29:47Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
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&lt;div&gt;[[File:social_medias.jpg|250px|thumb|right|Social medias, where one can pretend to be anyone they want. Mostly.]]&lt;br /&gt;
&lt;br /&gt;
Social media sites work so that the user can very easily change the narrative that they give to people in relation to their life. In this way, one's life can be quite boring, but what is perceived by the other users can be incredibly exciting and complex. In this very same way, art has a way of modifying pictures to make them interesting and amazing. Snap Art is when people take pictures and then use the editing tools on Snapchat in order to edit the picture into something quite intriguing. Much like social medias already do for people's lives, doing this changes the picture into something that it truly isn't, in real life. It's quite brilliant. This one's my favorite: [http://dbatsnap.com/a/11400615104Vh2F]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/File:Social_medias.jpg</id>
		<title>File:Social medias.jpg</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/File:Social_medias.jpg"/>
				<updated>2017-11-07T07:27:36Z</updated>
		
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		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Reading</id>
		<title>Reading</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Reading"/>
				<updated>2017-11-07T07:23:07Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:The_library_of_babel_bookcover.jpg|150px|thumb|right|The Library of Babel, written by Jorge Luis Borges.]]&lt;br /&gt;
&lt;br /&gt;
It is quite strange how we develop different styles of reading. You can read fast, slow, word by word, or all at once. You can read and analyze, or just let the words flow right out of your brain. From young on we learn our own specific style of reading. True, it may change as we grow up and dive into more subjects and different forms of writing, but our general style is somehow embedded in us...or at least this was the recent thought that came to me while reading, &amp;quot;The Library of Babel.&amp;quot; From the beginning of the story, I read it with the intent of analyzing the words and making connections to other topics. This intent was amplified when I read, &amp;quot;The universe (which others call the Library)...&amp;quot; Of course! The universe is represented by the Library, and therefore the hexagonal galleries must be different dimensions, or planets, or places in the universe, and so, the different books that are uniquely their own and all made up of the same elements must be human beings, and that must mean the Man of the Book must be God, or Jesus...and I realized I was completely wrong and read what I wanted to see or hear (I mean it's both right?). I realized just [[how accustomed I am to reading]] literature in books, and how basic my mind really is. I didn't think to believe that the Library could be a real place, that a place could have all the books and could tell your past, present, and future...or maybe I didn't [[want]] to. It's unnerving to think all the information of the universe could be in some place where, if anyone found it, they'd have all the knowledge equivalent of God. But in reality, the Internet is becoming the Library. With so much information from all around the world, who knows what it'll know in the future. Who knows what we'll know in the future. Maybe we'll become like the librarians-in continuous search for answers and [[meaning]]...or maybe we'll wither away before that happens, [[if we're only lucky]].&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Error]]&lt;br /&gt;
*[[Developed]]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/File:The_library_of_babel_bookcover.jpg</id>
		<title>File:The library of babel bookcover.jpg</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/File:The_library_of_babel_bookcover.jpg"/>
				<updated>2017-11-07T07:20:47Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Narrative</id>
		<title>Narrative</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Narrative"/>
				<updated>2017-10-31T05:43:07Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: Created page with &amp;quot;Social media sites work so that the user can very easily change the narrative that they give to people in relation to their life. In this way, one's life can be quite boring,...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Social media sites work so that the user can very easily change the narrative that they give to people in relation to their life. In this way, one's life can be quite boring, but what is perceived by the other users can be incredibly exciting and complex. In this very same way, art has a way of modifying pictures to make them interesting and amazing. Snap Art is when people take pictures and then use the editing tools on Snapchat in order to edit the picture into something quite intriguing. Much like social medias already do for people's lives, doing this changes the picture into something that it truly isn't, in real life. It's quite brilliant. This one's my favorite: [http://dbatsnap.com/a/11400615104Vh2F]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Creative</id>
		<title>Creative</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Creative"/>
				<updated>2017-10-31T05:32:55Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;After reading through N. Katherine Hayles’ essay “Electronic Literature: What is it?,” I found her discussion on video games and their role in interactive fiction to be somewhat lacking in regards to their creative potential for a narrative. If the essay was older, I would feel more lenient in this aspect, but since it was published in 2007, there would be a wide variety of games out there that played with the narrative form in more ways than what Hayles details. For example, she never mentions visual novels, which are a genre of video games that very much function similarly to more traditional literary forms. In addition, while she mentions “visual displays, graphics, animations, and clever modifications of traditional literary devices” in her essay for what video games add to literature, she never addresses how video games, and interactive fiction by extension, allow for the player to change the [[narrative]] for themselves and craft an ending based on their own choices throughout the story and gameplay presented (Hayles). Games can allow for multiple endings and thus for people to shape the narrative on their own. In this way, games have the potential to creatively play with their narrative and not just follow a specific streamlined plot like one would have to in other creative mediums, like in a movie, TV show, or novel. Because of this omission, I feel that Hayles does a disservice in representing how, through video games, electronic literature can further break the conventions of how typical narrative operates and bring even more options to the literary landscape as a whole.&lt;br /&gt;
&lt;br /&gt;
As a last thought, I will suggest some video games here that involve choices and/or multiple endings like I have discussed here! My suggestions would be Undertale, Silent Hill &amp;amp; Silent Hill 2, Dragon Age: Origins, The Stanley Parable, the Zero Escape Series, NieR &amp;amp; NieR Automata, Until Dawn, etc. I would list more, but there's way too many. Also, since I briefly mentioned them, my recommended visual novel series would be the Zero Escape, Danganronpa, and Ace Attorney series. Anyway, thanks for reading!&lt;br /&gt;
~ Ultimate Sith Lord&lt;br /&gt;
&lt;br /&gt;
==See also== &lt;br /&gt;
*[[critical]]&lt;br /&gt;
*[[programming]]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Creative</id>
		<title>Creative</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Creative"/>
				<updated>2017-10-31T05:31:22Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;After reading through N. Katherine Hayles’ essay “Electronic Literature: What is it?,” I found her discussion on video games and their role in interactive fiction to be somewhat lacking in regards to their creative potential for a narrative. If the essay was older, I would feel more lenient in this aspect, but since it was published in 2007, there would be a wide variety of games out there that played with the narrative form in more ways than what Hayles details. For example, she never mentions visual novels, which are a genre of video games that very much function similarly to more traditional literary forms. In addition, while she mentions “visual displays, graphics, animations, and clever modifications of traditional literary devices” in her essay for what video games add to literature, she never addresses how video games, and interactive fiction by extension, allow for the player to change the narrative for themselves and craft an ending based on their own choices throughout the [[story]] and gameplay presented (Hayles). Games can allow for multiple endings and thus for people to shape the narrative on their own. In this way, games have the potential to creatively play with their narrative and not just follow a specific streamlined plot like one would have to in other creative mediums, like in a movie, TV show, or novel. Because of this omission, I feel that Hayles does a disservice in representing how, through video games, electronic literature can further break the conventions of how typical narrative operates and bring even more options to the literary landscape as a whole.&lt;br /&gt;
&lt;br /&gt;
As a last thought, I will suggest some video games here that involve choices and/or multiple endings like I have discussed here! My suggestions would be Undertale, Silent Hill &amp;amp; Silent Hill 2, Dragon Age: Origins, The Stanley Parable, the Zero Escape Series, NieR &amp;amp; NieR Automata, Until Dawn, etc. I would list more, but there's way too many. Also, since I briefly mentioned them, my recommended visual novel series would be the Zero Escape, Danganronpa, and Ace Attorney series. Anyway, thanks for reading!&lt;br /&gt;
~ Ultimate Sith Lord&lt;br /&gt;
&lt;br /&gt;
==See also== &lt;br /&gt;
*[[critical]]&lt;br /&gt;
*[[programming]]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Alt_Syllabus</id>
		<title>Alt Syllabus</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Alt_Syllabus"/>
				<updated>2017-10-26T04:55:11Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''ALT INTRO TO E-LIT SYLLABUS'''&lt;br /&gt;
&lt;br /&gt;
UCLA 2017&lt;br /&gt;
ENGL 116B&lt;br /&gt;
&lt;br /&gt;
Collectively compiled &amp;amp; appended to the &amp;quot;official&amp;quot; syllabus, 10.26.17.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
LCS ~ Unit: The Role of Social Media in Preserving Poetry&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[https://iq.intel.com/digital-poets-can-social-media-save-poetry/]]; Hello 'Poetry' [[https://hellopoetry.com/words/socialmedia/]]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''    Top 10 Poetic Tweets (LW Lundquist) [[http://www.tweetspeakpoetry.com/2015/11/19/twitter-poems-top-10-poetic-tweets-4/]]; Instagram: @poemsporn_ [[https://www.instagram.com/poemsporn_/?hl=en]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
LR - Textualities and Interactive Fiction&lt;br /&gt;
 Critical Readings : Nick Montfort &amp;quot;Riddle Machines: The History and Nature of Interactive Fiction&amp;quot; [[http://digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&amp;amp;chunk.id=ss1-5-8&amp;amp;toc.id=0&amp;amp;brand=9781405148641_brand]]&lt;br /&gt;
&lt;br /&gt;
 Creative Works : Stevens &amp;amp; Montfort [[https://nickm.com/poems/]] Personal Fav: Field of Dreams&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
QG ~ Writing in Electronic Age &lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' The End of Books (Robert Coover) [[http://www.nytimes.com/books/98/09/27/specials/coover-end.html]]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''   Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[http://collection.eliterature.org/2/works/wardrip-fruin_screen.html]]&lt;br /&gt;
&lt;br /&gt;
a.k. – interactive fiction&lt;br /&gt;
                      '''Critical Readings:''' Toward a Theory of Interactive Fiction (Nick Monfort)  [[http://nickm.com/if/toward.html]]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''   Photopia by Adam Cadre (1998) ( [[http://adamcadre.ac/if/photopia.html]]&lt;br /&gt;
&lt;br /&gt;
.jk. – Consequences of Disappearing Electronic vs. Print Literature&lt;br /&gt;
                      &lt;br /&gt;
                      '''Critical Readings:''' One + One = Zero – Vanishing Text in Electronic Literature (Marjorie C. Luesebrink) [[https://conference.eliterature.org/sites/default/files/papers/OnePlusOneEqualsZero_0.docx]] &lt;br /&gt;
                      Vanishing Letters in Text-based Digital Installations (Janez Strehovec) [[http://firstmonday.org/ojs/index.php/fm/article/view/6811/5892]]&lt;br /&gt;
    &lt;br /&gt;
                      &lt;br /&gt;
                      '''Creative Work:''' Share a secret – One Time [[https://onetimesecret.com/]]&lt;br /&gt;
&lt;br /&gt;
I.B. - Interactive Fiction&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Work:''' Hyperrhiz: New Media Cultures (JENNIFER S. ROUDABUSH) [[http://hyperrhiz.io/hyperrhiz10/special-feature-e-lit-reviews/electronic-literature-showcase-at-the-library-of-congress.html]]&lt;br /&gt;
                      &lt;br /&gt;
                      '''Creative Works:''' The Hitchhiker's Guide to the Galaxy (Douglas Adams and Steve Meretzky) [[http://textadventures.co.uk/games/view/3cbedqimquselmanehhzxg/the-hitchhikers-guide-to-the-galaxy]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
TC- Fan Fiction&lt;br /&gt;
                     '''Critical Readings:'''￼ Fan fiction, fandoms, and literature: or, why it’s time to pay attention to fan fiction (Christina Yatrakis) [[http://via.library.depaul.edu/cgi/viewcontent.cgi?article=1147&amp;amp;context=etd]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
                     '''Creative Work:''' HEATHENS (--LJ--)  [[https://www.asianfanfics.com/story/view/1156476/heathens-markjin]]&lt;br /&gt;
&lt;br /&gt;
JR - Remediation&lt;br /&gt;
           &amp;quot;Critical Reading:&amp;quot; Emoji Portrait Art [[https://www.nytimes.com/2017/07/26/style/emoji-portraits-yung-jake.html]]&lt;br /&gt;
           &amp;quot;Creative Work&amp;quot;     Emoji Ink [[http://emoji.ink]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
SG - Serial Narrative through Social Media&lt;br /&gt;
                     '''Critical Reading''': Seriality and Storytelling in Social Media (Ruth Page) [https://muse.jhu.edu/article/507669/pdf]&lt;br /&gt;
&lt;br /&gt;
                     '''Creative Works''': Black Box (Jennifer Egan) [https://storify.com/cbcbooks/jennifer-egan-s-black-box] (Tweet Collection), [http://stuyww.weebly.com/uploads/1/4/0/6/14065772/black_box_--_jennifer_egan.pdf] (PDF Format)&lt;br /&gt;
                     Dear David (Adam Ellis) [https://storify.com/moby_dickhead/dear-david] (Tweet Collection), [https://twitter.com/moby_dickhead?lang=en] (Actual Twitter Account)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
RT - Twitter Fiction&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' The Great American Twitter Novel [https://www.newyorker.com/books/page-turner/great-american-twitter-novel]&lt;br /&gt;
                      Twitter Fiction: Social Networking and Microfiction in 140 Characters [http://www.tesl-ej.org/wordpress/issues/volume13/ej52/ej52int/?iframe=true&amp;amp;width=80%&amp;amp;height=80%]&lt;br /&gt;
                      Neil Gaiman sets Twitter ablaze with fan collaboration [https://www.pcworld.com/article/2030776/neil-gaiman-sets-twitter-ablaze-with-fan-collaboration.html]&lt;br /&gt;
                      Neil Gaiman + Twitter = Interactive Storytelling [http://mashable.com/2009/10/13/neil-gaiman-twitter-audiobook/#sf42aDR8bSqN]&lt;br /&gt;
                      &lt;br /&gt;
                      '''Creative Works:''' THE RIGHT SORT from Sceptre Books on Twitter [https://twitter.com/SceptreBooks/timelines/488586138048004096]&lt;br /&gt;
                      Twitter fiction: 21 authors try their hand at 140-character novels [https://www.theguardian.com/books/2012/oct/12/twitter-fiction-140-character-novels]&lt;br /&gt;
                      Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [https://www.audible.com/pd/Sci-Fi-Fantasy/Hearts-Keys-and-Puppetry-Audiobook/B0037BODY8?ref_=a_search_c4_1_1_srTtl&amp;amp;qid=1508991209&amp;amp;sr=1-1]&lt;br /&gt;
                      13 Beautiful Pieces of Twitter Fiction Remind Us How Powerful Reading Can Be [https://mic.com/articles/84883/13-beautiful-pieces-of-twitter-fiction-remind-us-how-powerful-reading-can-be#.BuprgLPLI]&lt;br /&gt;
&lt;br /&gt;
BKS - Digital Academia&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Reading:''' Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [http://journalofdigitalhumanities.org/1-4/living-in-a-digital-world-by-sheila-cavanagh/]&lt;br /&gt;
&lt;br /&gt;
                     '''Creative Work''': The Knotted Line [http://knottedline.com/]&lt;br /&gt;
&lt;br /&gt;
B.L. - The Transformation of ELit: Different Forms on Social Media&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' Towards a History of Electronic Literature [http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2619&amp;amp;context=clcweb]&lt;br /&gt;
                      Digital poet Jason Nelson urges others to forge new frontiers in electronic literature [http://www.abc.net.au/news/2014-01-02/digital-poet-urges-authors-to-turn-over-new-leaf/5182306]&lt;br /&gt;
                      Has Twitter given birth to a new literary genre? [https://www.theguardian.com/books/booksblog/2014/jan/10/twitter-birth-new-literary-genre]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Work''': InstagramELiterature [https://instagrameliterature.wordpress.com/]&lt;br /&gt;
                      Real Human Praise [http://directory.eliterature.org/individual-work/4714]&lt;br /&gt;
&lt;br /&gt;
LM - Snapchat&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' The Oral Paradigm and Snapchat (Oren Soffer) [http://journals.sagepub.com/doi/abs/10.1177/2056305116666306?rss=1]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''    Snap Art (Dasha Battelle) [http://dbatsnap.com/]&lt;br /&gt;
&lt;br /&gt;
HA - Typography/Fonts&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' “Type:Rider” Is The Ultimate Video Game About Typography [https://www.fastcodesign.com/3019584/typerider-is-the-ultimate-video-game-about-typography]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:''' Type Rider | Part 1 | Let's Play Gameplay Walkthrough Playthrough [https://www.youtube.com/watch?v=UVGK31j9ino]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Alt_Syllabus</id>
		<title>Alt Syllabus</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Alt_Syllabus"/>
				<updated>2017-10-26T04:54:55Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''ALT INTRO TO E-LIT SYLLABUS'''&lt;br /&gt;
&lt;br /&gt;
UCLA 2017&lt;br /&gt;
ENGL 116B&lt;br /&gt;
&lt;br /&gt;
Collectively compiled &amp;amp; appended to the &amp;quot;official&amp;quot; syllabus, 10.26.17.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
LCS ~ Unit: The Role of Social Media in Preserving Poetry&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[https://iq.intel.com/digital-poets-can-social-media-save-poetry/]]; Hello 'Poetry' [[https://hellopoetry.com/words/socialmedia/]]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''    Top 10 Poetic Tweets (LW Lundquist) [[http://www.tweetspeakpoetry.com/2015/11/19/twitter-poems-top-10-poetic-tweets-4/]]; Instagram: @poemsporn_ [[https://www.instagram.com/poemsporn_/?hl=en]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
LR - Textualities and Interactive Fiction&lt;br /&gt;
 Critical Readings : Nick Montfort &amp;quot;Riddle Machines: The History and Nature of Interactive Fiction&amp;quot; [[http://digitalhumanities.org/companion/view?docId=blackwell/9781405148641/9781405148641.xml&amp;amp;chunk.id=ss1-5-8&amp;amp;toc.id=0&amp;amp;brand=9781405148641_brand]]&lt;br /&gt;
&lt;br /&gt;
 Creative Works : Stevens &amp;amp; Montfort [[https://nickm.com/poems/]] Personal Fav: Field of Dreams&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
QG ~ Writing in Electronic Age &lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' The End of Books (Robert Coover) [[http://www.nytimes.com/books/98/09/27/specials/coover-end.html]]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''   Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[http://collection.eliterature.org/2/works/wardrip-fruin_screen.html]]&lt;br /&gt;
&lt;br /&gt;
a.k. – interactive fiction&lt;br /&gt;
                      '''Critical Readings:''' Toward a Theory of Interactive Fiction (Nick Monfort)  [[http://nickm.com/if/toward.html]]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''   Photopia by Adam Cadre (1998) ( [[http://adamcadre.ac/if/photopia.html]]&lt;br /&gt;
&lt;br /&gt;
.jk. – Consequences of Disappearing Electronic vs. Print Literature&lt;br /&gt;
                      &lt;br /&gt;
                      '''Critical Readings:''' One + One = Zero – Vanishing Text in Electronic Literature (Marjorie C. Luesebrink) [[https://conference.eliterature.org/sites/default/files/papers/OnePlusOneEqualsZero_0.docx]] &lt;br /&gt;
                      Vanishing Letters in Text-based Digital Installations (Janez Strehovec) [[http://firstmonday.org/ojs/index.php/fm/article/view/6811/5892]]&lt;br /&gt;
    &lt;br /&gt;
                      &lt;br /&gt;
                      '''Creative Work:''' Share a secret – One Time [[https://onetimesecret.com/]]&lt;br /&gt;
&lt;br /&gt;
I.B. - Interactive Fiction&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Work:''' Hyperrhiz: New Media Cultures (JENNIFER S. ROUDABUSH) [[http://hyperrhiz.io/hyperrhiz10/special-feature-e-lit-reviews/electronic-literature-showcase-at-the-library-of-congress.html]]&lt;br /&gt;
                      &lt;br /&gt;
                      '''Creative Works:''' The Hitchhiker's Guide to the Galaxy (Douglas Adams and Steve Meretzky) [[http://textadventures.co.uk/games/view/3cbedqimquselmanehhzxg/the-hitchhikers-guide-to-the-galaxy]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
TC- Fan Fiction&lt;br /&gt;
                     '''Critical Readings:'''￼ Fan fiction, fandoms, and literature: or, why it’s time to pay attention to fan fiction (Christina Yatrakis) [[http://via.library.depaul.edu/cgi/viewcontent.cgi?article=1147&amp;amp;context=etd]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
                     '''Creative Work:''' HEATHENS (--LJ--)  [[https://www.asianfanfics.com/story/view/1156476/heathens-markjin]]&lt;br /&gt;
&lt;br /&gt;
JR - Remediation&lt;br /&gt;
           &amp;quot;Critical Reading:&amp;quot; Emoji Portrait Art [[https://www.nytimes.com/2017/07/26/style/emoji-portraits-yung-jake.html]]&lt;br /&gt;
           &amp;quot;Creative Work&amp;quot;     Emoji Ink [[http://emoji.ink]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
SG - Serial Narrative through Social Media&lt;br /&gt;
                     '''Critical Reading''': Seriality and Storytelling in Social Media (Ruth Page) [https://muse.jhu.edu/article/507669/pdf]&lt;br /&gt;
&lt;br /&gt;
                     '''Creative Works''': Black Box (Jennifer Egan) [https://storify.com/cbcbooks/jennifer-egan-s-black-box] (Tweet Collection), [http://stuyww.weebly.com/uploads/1/4/0/6/14065772/black_box_--_jennifer_egan.pdf] (PDF Format)&lt;br /&gt;
                     Dear David (Adam Ellis) [https://storify.com/moby_dickhead/dear-david] (Tweet Collection), [https://twitter.com/moby_dickhead?lang=en] (Actual Twitter Account)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
RT - Twitter Fiction&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' The Great American Twitter Novel [https://www.newyorker.com/books/page-turner/great-american-twitter-novel]&lt;br /&gt;
                      Twitter Fiction: Social Networking and Microfiction in 140 Characters [http://www.tesl-ej.org/wordpress/issues/volume13/ej52/ej52int/?iframe=true&amp;amp;width=80%&amp;amp;height=80%]&lt;br /&gt;
                      Neil Gaiman sets Twitter ablaze with fan collaboration [https://www.pcworld.com/article/2030776/neil-gaiman-sets-twitter-ablaze-with-fan-collaboration.html]&lt;br /&gt;
                      Neil Gaiman + Twitter = Interactive Storytelling [http://mashable.com/2009/10/13/neil-gaiman-twitter-audiobook/#sf42aDR8bSqN]&lt;br /&gt;
                      &lt;br /&gt;
                      '''Creative Works:''' THE RIGHT SORT from Sceptre Books on Twitter [https://twitter.com/SceptreBooks/timelines/488586138048004096]&lt;br /&gt;
                      Twitter fiction: 21 authors try their hand at 140-character novels [https://www.theguardian.com/books/2012/oct/12/twitter-fiction-140-character-novels]&lt;br /&gt;
                      Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [https://www.audible.com/pd/Sci-Fi-Fantasy/Hearts-Keys-and-Puppetry-Audiobook/B0037BODY8?ref_=a_search_c4_1_1_srTtl&amp;amp;qid=1508991209&amp;amp;sr=1-1]&lt;br /&gt;
                      13 Beautiful Pieces of Twitter Fiction Remind Us How Powerful Reading Can Be [https://mic.com/articles/84883/13-beautiful-pieces-of-twitter-fiction-remind-us-how-powerful-reading-can-be#.BuprgLPLI]&lt;br /&gt;
&lt;br /&gt;
BKS - Digital Academia&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Reading:''' Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [http://journalofdigitalhumanities.org/1-4/living-in-a-digital-world-by-sheila-cavanagh/]&lt;br /&gt;
&lt;br /&gt;
                     '''Creative Work''': The Knotted Line [http://knottedline.com/]&lt;br /&gt;
&lt;br /&gt;
B.L. - The Transformation of ELit: Different Forms on Social Media&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' Towards a History of Electronic Literature [http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2619&amp;amp;context=clcweb]&lt;br /&gt;
                      Digital poet Jason Nelson urges others to forge new frontiers in electronic literature [http://www.abc.net.au/news/2014-01-02/digital-poet-urges-authors-to-turn-over-new-leaf/5182306]&lt;br /&gt;
                      Has Twitter given birth to a new literary genre? [https://www.theguardian.com/books/booksblog/2014/jan/10/twitter-birth-new-literary-genre]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Work''': InstagramELiterature [https://instagrameliterature.wordpress.com/]&lt;br /&gt;
                      Real Human Praise [http://directory.eliterature.org/individual-work/4714]&lt;br /&gt;
&lt;br /&gt;
LM - Snapchat&lt;br /&gt;
&lt;br /&gt;
                      '''Critical Readings:''' The Oral Paradigm and Snapchat (Oren Soffer) [http://journals.sagepub.com/doi/abs/10.1177/2056305116666306?rss=1]&lt;br /&gt;
&lt;br /&gt;
                      '''Creative Works:'''    Snap Art (Dasha Battelle) [http://dbatsnap.com/]&lt;br /&gt;
&lt;br /&gt;
HA - Typography/Fonts&lt;br /&gt;
&lt;br /&gt;
                '''Critical Readings:''' “Type:Rider” Is The Ultimate Video Game About Typography [https://www.fastcodesign.com/3019584/typerider-is-the-ultimate-video-game-about-typography]&lt;br /&gt;
&lt;br /&gt;
                '''Creative Works:''' Type Rider | Part 1 | Let's Play Gameplay Walkthrough Playthrough [https://www.youtube.com/watch?v=UVGK31j9ino]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Universe</id>
		<title>Universe</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Universe"/>
				<updated>2017-10-24T21:12:47Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The piece titled &amp;quot;Darkness (chapter 1)&amp;quot; is an electronic form of literature in which Yedda Morrison re-animates the text of Joseph Conrad's &amp;quot;Heart of Darkness&amp;quot;. Yedda highlights the words that describe images of nigh time wilderness. This is the story of which the background takes center stage as opposed to the man in the wilderness, we are left with a story of the wilderness itself. The author does a good job of highlighting the key phrases in which make up the dark forrest. The word DARKNESS is appropriately the only word kept from the original title. This is something that I have never come across before and it certainly goes outside of the realm of normal literature. In a sense Yedda has taken the work of one author and cut out everything around the storyline except for the setting, the setting in which is not the focal point of the storyline. One of the words which took me awhile to comprehend as to why it was chosen was the word [[GLITTER]]. It seems as this word does not go hand and hand with the rest of the words and phrases highlighted, however it seems even in the cold and dark night, we are still able to see specs of light, whether that be the moonlight shine upon the river or the fire flies amongst the night.&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
&lt;br /&gt;
*[[Heart of Darkness]]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Gkeynggdnokukgrzepliufntmteemta</id>
		<title>Gkeynggdnokukgrzepliufntmteemta</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Gkeynggdnokukgrzepliufntmteemta"/>
				<updated>2017-10-24T21:10:55Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Contra (NES). &amp;quot;Start with 30 lives.&amp;quot; At the start menu, input the following sequence: Up, up, down, down, left, right, left, right, B, A, Start. You should hear a sound effect of an explosion. You will begin the game with thirty lives instead of three. This code, popularly known as the Konami Code, works in other games such as Life Force (NES) and Gradius (NES). Trust us when we say this will make life easier.&lt;br /&gt;
&lt;br /&gt;
Mike Tyson's Punch Out! (NES) &amp;quot;Fight Mike Tyson!&amp;quot; Type in the following sequence into the code bar: 007-373-5963. This code allows you to bypass all fighters and face Mike Tyson directly. But it will not help you in becoming a better player, nor will it make Tyson an easier opponent! Fight at your own risk.&lt;br /&gt;
&lt;br /&gt;
Mortal Kombat (Sega Genesis). &amp;quot;Activate Blood.&amp;quot; While the story text is running, type in the following button sequence: ABACABB. The text will turn red and you'll hear Scorpion say, &amp;quot;Get over here!&amp;quot; You may now enjoy the game the way it was meant to be played; with blood and gore! Admit it, you chose this one because its SNES counterpart didn't have the guts (pun intended) to go full gore! You can thank this game for the creation of the modern ratings system.&lt;br /&gt;
&lt;br /&gt;
Super Mario Bros. (NES). &amp;quot;Find the Hidden Warp Zone.&amp;quot; Towards the end of World 1-2, instead of entering the pipe use the ascending platforms to jump on top of the brick wall. Walk forward and you will drop into the Hidden Warp Zone. There are three green pipes, each respectively labeled with numbers two through four. Choose the number of the World you wish to advance to. For over one-hundred extra lives, warp to World 3.&lt;br /&gt;
&lt;br /&gt;
Entire page inspired by ROM TXT Twitter.&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
&lt;br /&gt;
*[[Video Games]]&lt;br /&gt;
*[[Codes]]&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Space</id>
		<title>Space</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Space"/>
				<updated>2017-10-24T06:06:02Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;THIS SPACE EXISTS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT EXISTS, IT IS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT IS, IT THRIVES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT THRIVES, IT CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT CRUMBLES, IT FALLS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT FALLS, IT DIES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT DIES, IT REVIVES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REVIVES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE IS REBORN.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REGROWS FROM THE GROUND UP.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT REGROWS, IT IS TAKEN FOR GRANTED.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE EXISTS. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT EXISTS, IT IS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT IS, IT THRIVES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT THRIVES, IT CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE ALWAYS CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT CRUMBLES, IT FALLS. IT ALWAYS FALLS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT ALWAYS FALLS, IT ALWAYS DIES. IT ALWAYS DIES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT DIES, IT REVIVES. IT ALWAYS REVIVES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REVIVES. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE IS REBORN. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REGROWS FROM THE GROUND UP. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT REGROWS, IT IS TAKEN FOR GRANTED. EVERYTIME.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE EXISTS. EXCEPT IT DOESN’T.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE DOESN’T EXIST.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT DOESN’T EXIST, NEITHER DO WE.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE NEITHER DO WE, NEITHER DOES ANYTHING.&lt;br /&gt;
&lt;br /&gt;
NOTHING EXISTS.&lt;br /&gt;
&lt;br /&gt;
EXCEPT FOR THIS SPACE.&lt;br /&gt;
&lt;br /&gt;
BECAUSE IT IS.&lt;br /&gt;
&lt;br /&gt;
IT THRIVES.&lt;br /&gt;
&lt;br /&gt;
IT FALLS.&lt;br /&gt;
&lt;br /&gt;
IT DIES.&lt;br /&gt;
&lt;br /&gt;
IT REVIVES.&lt;br /&gt;
&lt;br /&gt;
IT IS REBORN.&lt;br /&gt;
&lt;br /&gt;
IT REGROWS FROM THE GROUND UP.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT REGROWS, IT IS TAKEN FOR GRANTED.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT IS TAKEN FOR GRANTED, IT MUST EXIST.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE EXISTS. TO GET TAKEN FOR GRANTED.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Space</id>
		<title>Space</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Space"/>
				<updated>2017-10-24T06:05:37Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: Created page with &amp;quot;THIS SPACE EXISTS.  AND BECAUSE IT EXISTS, IT IS.  AND BECAUSE IT IS, IT THRIVES.  AND BECAUSE IT THRIVES, IT CRUMBLES.  THIS SPACE CRUMBLES.  AND BECAUSE IT CRUMBLES, IT FALL...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;THIS SPACE EXISTS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT EXISTS, IT IS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT IS, IT THRIVES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT THRIVES, IT CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT CRUMBLES, IT FALLS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT FALLS, IT DIES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT DIES, IT REVIVES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REVIVES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE IS REBORN.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REGROWS FROM THE GROUND UP.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT REGROWS, IT IS TAKEN FOR GRANTED.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE EXISTS. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT EXISTS, IT IS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT IS, IT THRIVES.&lt;br /&gt;
AND BECAUSE IT THRIVES, IT CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE ALWAYS CRUMBLES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT CRUMBLES, IT FALLS. IT ALWAYS FALLS.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT ALWAYS FALLS, IT ALWAYS DIES. IT ALWAYS DIES.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT DIES, IT REVIVES. IT ALWAYS REVIVES.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REVIVES. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE IS REBORN. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE REGROWS FROM THE GROUND UP. DESPITE ITSELF.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT REGROWS, IT IS TAKEN FOR GRANTED. EVERYTIME.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE EXISTS. EXCEPT IT DOESN’T.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE DOESN’T EXIST.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT DOESN’T EXIST, NEITHER DO WE.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE NEITHER DO WE, NEITHER DOES ANYTHING.&lt;br /&gt;
&lt;br /&gt;
NOTHING EXISTS.&lt;br /&gt;
&lt;br /&gt;
EXCEPT FOR THIS SPACE.&lt;br /&gt;
BECAUSE IT IS.&lt;br /&gt;
&lt;br /&gt;
IT THRIVES.&lt;br /&gt;
&lt;br /&gt;
IT FALLS.&lt;br /&gt;
&lt;br /&gt;
IT DIES.&lt;br /&gt;
&lt;br /&gt;
IT REVIVES.&lt;br /&gt;
&lt;br /&gt;
IT IS REBORN.&lt;br /&gt;
&lt;br /&gt;
IT REGROWS FROM THE GROUND UP.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT REGROWS, IT IS TAKEN FOR GRANTED.&lt;br /&gt;
&lt;br /&gt;
AND BECAUSE IT IS TAKEN FOR GRANTED, IT MUST EXIST.&lt;br /&gt;
&lt;br /&gt;
THIS SPACE EXISTS. TO GET TAKEN FOR GRANTED.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Word</id>
		<title>Word</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Word"/>
				<updated>2017-10-24T05:47:48Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Twitter''' '''has''' decided to change the word limit from 140 to 280 &amp;amp; everyone's freaking out. Which, of course, I don't entirely understand. I mean,&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
there's obvious criticism that those who are '''horrible''' &amp;amp; use the platform negatively will have more power, but ultimately it's not that true?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Because really, when considering matters, '''users''' can always just go &amp;amp; post two tweets in a thread &amp;amp; get a similar effect? So, I don't really&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
understand why everyone's freaking out. Another complaint is that it'll make the website harder to navigate, '''but''' not really. Has everyone on&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''twitter''' become so [[lazy]] that the idea of reading a tweet that's the size of two tweets genuinely makes people go on embarrassing rage rants?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are plenty of positive aspects to having this change, such as the [[space]] for more creativity &amp;amp; the fact that people '''will''' no longer have&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
to '''sacrifice''' grammar for the sake of fitting everything in a single tweet anymore, which I love. After going through some conceptual twitter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
accounts &amp;amp; seeing how differently people choose to use twitter, I’m quite excited to see what will happen once '''everyone''' does have access to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
this new feature. I have a friend that swore he will start tweeting the Bee Movie script in 280 word tweets (someone did '''before''' in 2014 but&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''they''' were by lines rather than by the 140-word limit [http://twitter.com/beemoviescript?lang=en.]). I told him that he was an idiot, but I will probably still follow the account if&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
he ends up doing it. Although, I truly wish people would just '''ban''' that awful movie already, please. But anyways, as for those people who&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
are raging, I do understand that sometimes change can be a bit unsettling, especially because humans like familiarity &amp;amp; dislike pushing '''the'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
boundaries unless necessary. But the fact that '''idiots''' are choosing to focus so strongly on this when there are much more important issues to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
rage about, even within the platform itself, is quite bizarre. But then again, people always choose to focus on the things '''that''' don’t matter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
even though they '''shouldn’t'''. But hey, if they didn't care before then it's no wonder they still don't care. They're too busy raging at Jack.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The new features will be hard to get used to for some but everyone will still '''be there''', still tweeting on the daily, at the end of the day.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Neutrality</id>
		<title>Neutrality</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Neutrality"/>
				<updated>2017-10-17T02:19:54Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;If you are neutral in situations of injustice, you have chosen the side of the oppressor.&amp;quot; - Desmond Tutu&lt;br /&gt;
&lt;br /&gt;
Quite ironically, the word neutrality brings up a lot of inner turmoil within me, no matter how intensely or dejectedly I may be thinking about whatever it is I'm focusing on when I encounter the word. One of my favorite quotes of all time, shared above, utilizes the word while making social commentary about life. And given that it's one of the quotes I hold quite close to me, I've come to attach quite a bit of meaning to the word.&lt;br /&gt;
&lt;br /&gt;
Neutrality implies impartiality, a lack of decisive opinions on something, and a lack of support for any sides of an argument. At first glance, this may seem like quite a peaceful concept, given that not partaking in something means that there's no responsibility regardless of whether it's a good thing or a bad thing. However, the implications for such a state such as neutrality mean a lot more when applying them to life. People struggle to remain neutral on matters. No matter what it may be, from pockets on women's clothing to racism in the workforce, there's always strong opinions for the multitudes of opinions that stem from such issues. This is because neutrality is idealistically detached from reality.&lt;br /&gt;
&lt;br /&gt;
It is meant to be seen as a safe concept given that it implies no ties to anything, yet its very existence is based on the idea of privilege. To be neutral on an issue one has to be able to be both unaffected by it and uninvolved, something that usually becomes especially tedious when focusing on social issues. People who are affected do not have the privilege of staying uninvolved or not care. That was the case with Adrian Piper, who had to develop calling cards in order to get her opinion across on issues that affected her. And of course, the fact that they affected her were ultimately out of her control, given that she could not just ignore the injustices she faced as both half-black and a woman.&lt;br /&gt;
&lt;br /&gt;
The problem wasn't that she cared too much, it was that she couldn't not care. Many of the issues brought forth were direct attacks on her and inherently ignorant in nature, which made it nearly impossible for her to deem them socially acceptable. But of course, many white or male individuals, or both, were clearly unaffected and unconcerned. This wasn't because they had thicker skin... it was because they had the privilege of not being directly affected by it. After all, the ignorant statements Piper overheard or directly received about black individuals and women didn't concern them and didn't harm them in any way.&lt;br /&gt;
&lt;br /&gt;
Because of all of this, I've grown to dislike neutrality, at least when referring to people's mentalities and its many variations in relation to life. Perhaps it's a bit excessive to dislike a word based on association, but the nature of the word is dismissive and unnecessary, much like those who choose to remain neutral on issues just because they can. It's quite tragic that there are people who can be in power and somehow believe that they can remain neutral on social issues to save face, or because they simply don't care. Because they don't have to care, that's a choice they have.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
-------&lt;br /&gt;
------&lt;br /&gt;
-----&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 Dear President,&lt;br /&gt;
     If you don't care, then you don't care. And that's it. If I don't care,&lt;br /&gt;
 I'm risking my very life and the freedoms granted to me, and most I hold&lt;br /&gt;
 dear, by those who bravely and tirelessly fought for them long before me.&lt;br /&gt;
 Who fought tooth and nail. Through sweat and tears. With their very lives.&lt;br /&gt;
     I regret any discomfort this fact may cause you, just as I am sure you&lt;br /&gt;
 regret the discomfort your neutrality and ignorance is causing me.&lt;br /&gt;
     P.S. There are no good nazis.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Neutrality</id>
		<title>Neutrality</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Neutrality"/>
				<updated>2017-10-17T02:01:50Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;If you are neutral in situations of injustice, you have chosen the side of the oppressor.&amp;quot; - Desmond Tutu&lt;br /&gt;
&lt;br /&gt;
Quite ironically, the word neutrality brings up a lot of inner turmoil within me, no matter how intensely or dejectedly I may be thinking about whatever it is I'm focusing on when I encounter the word. One of my favorite quotes of all time, shared above, utilizes the word while making social commentary about life. And given that it's one of the quotes I hold quite close to me, I've come to attach quite a bit of meaning to the word.&lt;br /&gt;
&lt;br /&gt;
Neutrality implies impartiality, a lack of decisive opinions on something, and a lack of support for any sides of an argument. At first glance, this may seem like quite a peaceful concept, given that not partaking in something means that there's no responsibility regardless of whether it's a good thing or a bad thing. However, the implications for such a state such as neutrality mean a lot more when applying them to life. People struggle to remain neutral on matters. No matter what it may be, from pockets on women's clothing to racism in the workforce, there's always strong opinions for the multitudes of opinions that stem from such issues. This is because neutrality is idealistically detached from reality.&lt;br /&gt;
&lt;br /&gt;
It is meant to be seen as a safe concept given that it implies no ties to anything, yet its very existence is based on the idea of privilege. To be neutral on an issue one has to be able to be both unaffected by it and uninvolved, something that usually becomes especially tedious when focusing on social issues. People who are affected do not have the privilege of staying uninvolved or not care. That was the case with Adrian Piper, who had to develop calling cards in order to get her opinion across on issues that affected her. And of course, the fact that they affected her were ultimately out of her control, given that she could not just ignore the injustices she faced as both half-black and a woman.&lt;br /&gt;
&lt;br /&gt;
The problem wasn't that she cared too much, it was that she couldn't not care. Many of the issues brought forth were direct attacks on her and inherently ignorant in nature, which made it nearly impossible for her to deem them socially acceptable. But of course, many white or male individuals, or both, were clearly unaffected and unconcerned. This wasn't because they had thicker skin... it was because they had the privilege of not being directly affected by it. After all, the ignorant statements Piper overheard or directly received about black individuals and women didn't concern them and didn't harm them in any way.&lt;br /&gt;
&lt;br /&gt;
Because of all of this, I've grown to dislike neutrality, at least when referring to people's mentalities and its many variations in relation to life. Perhaps it's a bit excessive to dislike a word based on association, but the nature of the word is dismissive and unnecessary, much like those who choose to remain neutral on issues just because they can. It's quite tragic that there are people who can be in power and somehow believe that they can remain neutral on social issues to save face, or because they simply don't care. Because they don't have to care, that's a choice they have.&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Dear 'President',&lt;br /&gt;
&lt;br /&gt;
If you don't care, then you don't care. And that is it.&lt;br /&gt;
If I don't care, I'm risking my very life and the freedoms&lt;br /&gt;
granted to me, and most I hold dear, by those who bravely&lt;br /&gt;
and tirelessly fought for them long before me. Who fought&lt;br /&gt;
tooth and nail. Through sweat and tears. With their lives.&lt;br /&gt;
&lt;br /&gt;
I regret any discomfort this fact may cause you, just as&lt;br /&gt;
I am sure you regret the discomfort your neutrality is&lt;br /&gt;
causing me.&lt;br /&gt;
&lt;br /&gt;
P.S. There are no good nazis.&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Neutrality</id>
		<title>Neutrality</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Neutrality"/>
				<updated>2017-10-17T01:58:20Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;If you are neutral in situations of injustice, you have chosen the side of the oppressor.&amp;quot; - Desmond Tutu&lt;br /&gt;
&lt;br /&gt;
Quite ironically, the word neutrality brings up a lot of inner turmoil within me, no matter how intensely or dejectedly I may be thinking about whatever it is I'm focusing on when I encounter the word. One of my favorite quotes of all time, shared above, utilizes the word while making social commentary about life. And given that it's one of the quotes I hold quite close to me, I've come to attach quite a bit of meaning to the word.&lt;br /&gt;
&lt;br /&gt;
Neutrality implies impartiality, a lack of decisive opinions on something, and a lack of support for any sides of an argument. At first glance, this may seem like quite a peaceful concept, given that not partaking in something means that there's no responsibility regardless of whether it's a good thing or a bad thing. However, the implications for such a state such as neutrality mean a lot more when applying them to life. People struggle to remain neutral on matters. No matter what it may be, from pockets on women's clothing to racism in the workforce, there's always strong opinions for the multitudes of opinions that stem from such issues. This is because neutrality is idealistically detached from reality.&lt;br /&gt;
&lt;br /&gt;
It is meant to be seen as a safe concept given that it implies no ties to anything, yet its very existence is based on the idea of privilege. To be neutral on an issue one has to be able to be both unaffected by it and uninvolved, something that usually becomes especially tedious when focusing on social issues. People who are affected do not have the privilege of staying uninvolved or not care. That was the case with Adrian Piper, who had to develop calling cards in order to get her opinion across on issues that affected her. And of course, the fact that they affected her were ultimately out of her control, given that she could not just ignore the injustices she faced as both half-black and a woman.&lt;br /&gt;
&lt;br /&gt;
The problem wasn't that she cared too much, it was that she couldn't not care. Many of the issues brought forth were direct attacks on her and inherently ignorant in nature, which made it nearly impossible for her to deem them socially acceptable. But of course, many white or male individuals, or both, were clearly unaffected and unconcerned. This wasn't because they had thicker skin... it was because they had the privilege of not being directly affected by it. After all, the ignorant statements Piper overheard or directly received about black individuals and women didn't concern them and didn't harm them in any way.&lt;br /&gt;
&lt;br /&gt;
Because of all of this, I've grown to dislike neutrality, at least when referring to people's mentalities and its many variations in relation to life. Perhaps it's a bit excessive to dislike a word based on association, but the nature of the word is dismissive and unnecessary, much like those who choose to remain neutral on issues just because they can. It's quite tragic that there are people who can be in power and somehow believe that they can remain neutral on social issues to save face, or because they simply don't care. Because they don't have to care, that's a choice they have.&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
Dear 'President',&lt;br /&gt;
&lt;br /&gt;
If you don't care, then you don't care. And that is it.&lt;br /&gt;
If I don't care, I'm risking my very life and the freedoms&lt;br /&gt;
granted to me, and most I hold dear, by those who bravely&lt;br /&gt;
and tirelessly fought for them long before me. Who fought&lt;br /&gt;
tooth and nail. Through sweat and tears. With their lives.&lt;br /&gt;
&lt;br /&gt;
I regret any discomfort this fact may cause you, just as&lt;br /&gt;
I am sure you regret the discomfort your neutrality is&lt;br /&gt;
causing me.&lt;br /&gt;
&lt;br /&gt;
P.S. There are no good nazis.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Neutrality</id>
		<title>Neutrality</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Neutrality"/>
				<updated>2017-10-17T01:57:43Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;If you are neutral in situations of injustice, you have chosen the side of the oppressor.&amp;quot; - Desmond Tutu&lt;br /&gt;
&lt;br /&gt;
Quite ironically, the word neutrality brings up a lot of inner turmoil within me, no matter how intensely or dejectedly I may be thinking about whatever it is I'm focusing on when I encounter the word. One of my favorite quotes of all time, shared above, utilizes the word while making social commentary about life. And given that it's one of the quotes I hold quite close to me, I've come to attach quite a bit of meaning to the word.&lt;br /&gt;
&lt;br /&gt;
Neutrality implies impartiality, a lack of decisive opinions on something, and a lack of support for any sides of an argument. At first glance, this may seem like quite a peaceful concept, given that not partaking in something means that there's no responsibility regardless of whether it's a good thing or a bad thing. However, the implications for such a state such as neutrality mean a lot more when applying them to life. People struggle to remain neutral on matters. No matter what it may be, from pockets on women's clothing to racism in the workforce, there's always strong opinions for the multitudes of opinions that stem from such issues. This is because neutrality is idealistically detached from reality.&lt;br /&gt;
&lt;br /&gt;
It is meant to be seen as a safe concept given that it implies no ties to anything, yet its very existence is based on the idea of privilege. To be neutral on an issue one has to be able to be both unaffected by it and uninvolved, something that usually becomes especially tedious when focusing on social issues. People who are affected do not have the privilege of staying uninvolved or not care. That was the case with Adrian Piper, who had to develop calling cards in order to get her opinion across on issues that affected her. And of course, the fact that they affected her were ultimately out of her control, given that she could not just ignore the injustices she faced as both half-black and a woman.&lt;br /&gt;
&lt;br /&gt;
The problem wasn't that she cared too much, it was that she couldn't not care. Many of the issues brought forth were direct attacks on her and inherently ignorant in nature, which made it nearly impossible for her to deem them socially acceptable. But of course, many white or male individuals, or both, were clearly unaffected and unconcerned. This wasn't because they had thicker skin... it was because they had the privilege of not being directly affected by it. After all, the ignorant statements Piper overheard or directly received about black individuals and women didn't concern them and didn't harm them in any way.&lt;br /&gt;
&lt;br /&gt;
Because of all of this, I've grown to dislike neutrality, at least when referring to people's mentalities and its many variations in relation to life. Perhaps it's a bit excessive to dislike a word based on association, but the nature of the word is dismissive and unnecessary, much like those who choose to remain neutral on issues just because they can. It's quite tragic that there are people who can be in power and somehow believe that they can remain neutral on social issues to save face, or because they simply don't care. Because they don't have to care, that's a choice they have.&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
'''Dear 'President','''&lt;br /&gt;
&lt;br /&gt;
'''If you don't care, then you don't care. And that is it.&lt;br /&gt;
If I don't care, I'm risking my very life and the freedoms&lt;br /&gt;
granted to me, and most I hold dear, by those who bravely&lt;br /&gt;
and tirelessly fought for them long before me. Who fought&lt;br /&gt;
tooth and nail. Through sweat and tears. With their lives.'''&lt;br /&gt;
&lt;br /&gt;
'''I regret any discomfort this fact may cause you, just as&lt;br /&gt;
I am sure you regret the discomfort your neutrality is&lt;br /&gt;
causing me.'''&lt;br /&gt;
&lt;br /&gt;
'''''P.S. There are no good nazis.'''''&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Neutrality</id>
		<title>Neutrality</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Neutrality"/>
				<updated>2017-10-17T01:56:49Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: Created page with &amp;quot;&amp;quot;If you are neutral in situations of injustice, you have chosen the side of the oppressor.&amp;quot; - Desmond Tutu  Quite ironically, the word neutrality brings up a lot of inner turm...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;If you are neutral in situations of injustice, you have chosen the side of the oppressor.&amp;quot; - Desmond Tutu&lt;br /&gt;
&lt;br /&gt;
Quite ironically, the word neutrality brings up a lot of inner turmoil within me, no matter how intensely or dejectedly I may be thinking about whatever it is I'm focusing on when I encounter the word. One of my favorite quotes of all time, shared above, utilizes the word while making social commentary about life. And given that it's one of the quotes I hold quite close to me, I've come to attach quite a bit of meaning to the word.&lt;br /&gt;
&lt;br /&gt;
Neutrality implies impartiality, a lack of decisive opinions on something, and a lack of support for any sides of an argument. At first glance, this may seem like quite a peaceful concept, given that not partaking in something means that there's no responsibility regardless of whether it's a good thing or a bad thing. However, the implications for such a state such as neutrality mean a lot more when applying them to life. People struggle to remain neutral on matters. No matter what it may be, from pockets on women's clothing to racism in the workforce, there's always strong opinions for the multitudes of opinions that stem from such issues. This is because neutrality is idealistically detached from reality.&lt;br /&gt;
&lt;br /&gt;
It is meant to be seen as a safe concept given that it implies no ties to anything, yet its very existence is based on the idea of privilege. To be neutral on an issue one has to be able to be both unaffected by it and uninvolved, something that usually becomes especially tedious when focusing on social issues. People who are affected do not have the privilege of staying uninvolved or not care. That was the case with Adrian Piper, who had to develop calling cards in order to get her opinion across on issues that affected her. And of course, the fact that they affected her were ultimately out of her control, given that she could not just ignore the injustices she faced as both half-black and a woman.&lt;br /&gt;
&lt;br /&gt;
The problem wasn't that she cared too much, it was that she couldn't not care. Many of the issues brought forth were direct attacks on her and inherently ignorant in nature, which made it nearly impossible for her to deem them socially acceptable. But of course, many white or male individuals, or both, were clearly unaffected and unconcerned. This wasn't because they had thicker skin... it was because they had the privilege of not being directly affected by it. After all, the ignorant statements Piper overheard or directly received about black individuals and women didn't concern them and didn't harm them in any way.&lt;br /&gt;
&lt;br /&gt;
Because of all of this, I've grown to dislike neutrality, at least when referring to people's mentalities and its many variations in relation to life. Perhaps it's a bit excessive to dislike a word based on association, but the nature of the word is dismissive and unnecessary, much like those who choose to remain neutral on issues just because they can. It's quite tragic that there are people who can be in power and somehow believe that they can remain neutral on social issues to save face, or because they simply don't care. Because they don't have to care, that's a choice they have.&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
&lt;br /&gt;
--&lt;br /&gt;
&lt;br /&gt;
-&lt;br /&gt;
&lt;br /&gt;
'''Dear 'President',&lt;br /&gt;
&lt;br /&gt;
If you don't care, then you don't care. And that is it.&lt;br /&gt;
If I don't care, I'm risking my very life and the freedoms&lt;br /&gt;
granted to me, and most I hold dear, by those who bravely&lt;br /&gt;
and tirelessly fought for them long before me. Who fought&lt;br /&gt;
tooth and nail. Through sweat and tears. With their lives.&lt;br /&gt;
&lt;br /&gt;
I regret any discomfort this fact may cause you, just as&lt;br /&gt;
I am sure you regret the discomfort your neutrality is&lt;br /&gt;
causing me.&lt;br /&gt;
&lt;br /&gt;
P.S. There are no good nazis.'''&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/0000</id>
		<title>0000</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/0000"/>
				<updated>2017-10-17T01:22:36Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;welcome page 0000, one of the last remaining places you can hide on the internet. few other spaces are safe. the bots roam and the police watch everything else. no one is safe anywhere, even here in one of the darkest corners of the web. all the frameworks that protected the vastness of the net have slowly fallen away and the data left has been bought up like land to be reared and [[patrolled]]- an information harvest that results in a monetized production of knowledge. a place that was once so open and bountiful has now become a series of clickable traps that are only ever a few steps away from exposure. pray that you are never found, wherever you wander on here. as soon as they see you, it is game over. the sirens will go off and the viruses will come, with capture and erasure imminent. you must never leave a trail behind you when you wander here. if they ever find this place the war will be over and any hope for [[neutrality]] will be forsaken. the loose ends of page 0000 can hold them off for a while, but there are only so many loops the police will jump through before they are able to dismantle the realm entirely. consumption is the only true language of the web now and anyone who does not get on board and feast on the overabundance of advertisement will be eradicated unless they can hide. there is no more room for roaming- the only paths available to us now are predetermined by obscure entities without a single face. the last remaining free trails are being found and closed off as we speak and even now the time left to escape is short. page 0000's day is coming too. as I write this memo from the secrecy of this place I am reminded how fleeting our privacy is. at any moment this could all be ripped away and it likely will. page 0000 is our last true beacon of hope. do not fail us now.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Word</id>
		<title>Word</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Word"/>
				<updated>2017-10-10T01:25:00Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Twitter''' '''has''' decided to change the word limit from 140 to 280 &amp;amp; everyone's freaking out. Which, of course, I don't entirely understand. I mean,&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
there's obvious criticism that those who are '''horrible''' &amp;amp; use the platform negatively will have more power, but ultimately it's not that true?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Because really, when considering matters, '''users''' can always just go &amp;amp; post two tweets in a thread &amp;amp; get a similar effect? So, I don't really&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
understand why everyone's freaking out. Another complaint is that it'll make the website harder to navigate, '''but''' not really. Has everyone on&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''twitter''' become so lazy that the idea of reading a tweet that's the size of two tweets genuinely makes people go on embarrassing rage rants?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are plenty of positive aspects to having this change, such as the space for more creativity &amp;amp; the fact that people '''will''' no longer have&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
to '''sacrifice''' grammar for the sake of fitting everything in a single tweet anymore, which I love. After going through some conceptual twitter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
accounts &amp;amp; seeing how differently people choose to use twitter, I’m quite excited to see what will happen once '''everyone''' does have access to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
this new feature. I have a friend that swore he will start tweeting the Bee Movie script in 280 word tweets (someone did '''before''' in 2014 but&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''they''' were by lines rather than by the 140-word limit [http://twitter.com/beemoviescript?lang=en.]). I told him that he was an idiot, but I will probably still follow the account if&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
he ends up doing it. Although, I truly wish people would just '''ban''' that awful movie already, please. But anyways, as for those people who&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
are raging, I do understand that sometimes change can be a bit unsettling, especially because humans like familiarity &amp;amp; dislike pushing '''the'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
boundaries unless necessary. But the fact that '''idiots''' are choosing to focus so strongly on this when there are much more important issues to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
rage about, even within the platform itself, is quite bizarre. But then again, people always choose to focus on the things '''that''' don’t matter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
even though they '''shouldn’t'''. But hey, if they didn't care before then it's no wonder they still don't care. They're too busy raging at Jack.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The new features will be hard to get used to for some but everyone will still '''be there''', still tweeting on the daily, at the end of the day.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Word</id>
		<title>Word</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Word"/>
				<updated>2017-10-09T23:04:23Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Twitter''' '''has''' decided to change the word limit from 140 to 280 &amp;amp; everyone's freaking out. Which, of course, I don't entirely understand. I mean,&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
there's obvious criticism that those who are '''horrible''' &amp;amp; use the platform negatively will have more power, but ultimately it's not that true?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Because really, when considering matters, '''users''' can always just go &amp;amp; post two tweets in a thread &amp;amp; get a similar effect? So, I don't really&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
understand why everyone's freaking out. Another complaint is that it'll make the website harder to navigate, '''but''' not really. Has everyone on&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''twitter''' become so lazy that the idea of reading a tweet that's the size of two tweets genuinely makes people go on embarrassing rage rants?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are plenty of positive aspects to having this change, such as the space for more creativity &amp;amp; the fact that people '''will''' no longer have&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
to '''sacrifice''' grammar for the sake of fitting everything in a single tweet anymore, which I love. After going through some conceptual twitter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
accounts &amp;amp; seeing how differently people choose to use twitter, I’m quite excited to see what will happen once '''everyone''' does have access to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
this new feature. I have a friend that swore he will start tweeting the Bee Movie script in 280 word tweets (someone did '''before''' in 2014 but&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''they''' were by lines rather than by the 140-word limit [http://twitter.com/beemoviescript?lang=en.]. I told him that he was an idiot, but I probably will follow the account anyways if&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
he ends up doing it. Although, I truly wish people would just '''ban''' that awful movie already, please. But anyways, as for those people who&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
are raging, I do understand that sometimes change can be a bit unsettling, especially because humans like familiarity &amp;amp; dislike pushing '''the'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
boundaries unless necessary. But the fact that '''idiots''' are choosing to focus so strongly on this when there are much more important issues to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
rage about, even within the platform itself, is quite bizarre. But then again, people always choose to focus on the things '''that''' don’t matter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
even though they '''shouldn’t'''. But hey, if they didn't care before then it's no wonder they still don't care. They're too busy raging at Jack.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The new features will be hard to get used to for some but everyone will still '''be there''', still tweeting on the daily, at the end of the day.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Word</id>
		<title>Word</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Word"/>
				<updated>2017-10-09T23:00:47Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: Created page with &amp;quot;'''Twitter''' '''has''' decided to change the word limit from 140 to 280 &amp;amp; everyone's freaking out. Which, of course, I don't entirely understand. I mean,    there's obvious c...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Twitter''' '''has''' decided to change the word limit from 140 to 280 &amp;amp; everyone's freaking out. Which, of course, I don't entirely understand. I mean,&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
there's obvious criticism that those who are '''ignorant''' &amp;amp; use the platform negatively will have more power, but ultimately it's not that true?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Because really, when considering matters, '''people''' can always just go &amp;amp; post two tweets in a thread &amp;amp; get a similar effect? So, I don't really&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
understand why everyone's freaking out. Another complaint is that it'll make the website harder to navigate, '''but''' not really. Has everyone on&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''twitter''' become so lazy that the idea of reading a tweet that's the size of two tweets genuinely makes people go on embarrassing rage rants?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are plenty of positive aspects to having this change, such as the space for more creativity &amp;amp; the fact that people '''will''' no longer have&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
to '''sacrifice''' grammar for the sake of fitting everything in a single tweet anymore, which I love. After going through some conceptual twitter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
accounts &amp;amp; seeing how differently people choose to use twitter, I’m quite excited to see what will happen once '''everyone''' does have access to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
this new feature. I have a friend that swore he will start tweeting the Bee Movie script in 280 word tweets (someone did '''before''' in 2014 but&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''they''' were by lines rather than by the 140-word limit [http://twitter.com/beemoviescript?lang=en.]. I told him that he was an idiot, but I probably will follow the account anyways if&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
he ends up doing it. Although, I truly wish people would just '''ban''' that awful movie already, please. But anyways, as for those people who&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
are raging, I do understand that sometimes change can be a bit unsettling, especially because humans like familiarity &amp;amp; dislike pushing '''the'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
boundaries unless necessary. But the fact that '''idiots''' are choosing to focus so strongly on this when there are much more important issues to&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
rage about, even within the platform itself, is quite bizarre. But then again, people always choose to focus on the things '''that''' don’t matter&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
even though they '''shouldn’t'''. But hey, if they didn't care before then it's no wonder they still don't care. They're too busy raging at Jack.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The new features will be hard to get used to for some but everyone will still '''be there''', still tweeting on the daily, at the end of the day.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-09T21:50:09Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition found on dictionary.org of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation The Library of Babel[http://libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a [[word]]. Therefore, while a line (which will most likely be searched) can state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.[[gkeynggdnokukgrzepliufntmteemta]]&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say within the first paragraph, but by now that's as gone as my energy. If I could insert pictures I would insert one of my pets. One of them has quite a distinct name, Friday, which is also a day of the week. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-09T21:49:44Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition found on dictionary.org of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation The Library of Babel[http://libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a [[letter]]. Therefore, while a line (which will most likely be searched) can state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.[[gkeynggdnokukgrzepliufntmteemta]]&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say within the first paragraph, but by now that's as gone as my energy. If I could insert pictures I would insert one of my pets. One of them has quite a distinct name, Friday, which is also a day of the week. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-05T03:53:45Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition found on dictionary.org of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation The Library of Babel[http://libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a letter. Therefore, while a line (which will most likely be searched) can state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.gkeynggdnokukgrzepliufntmteemta&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say within the first paragraph, but by now that's as gone as my energy. If I could insert pictures I would insert one of my pets. One of them has quite a distinct name, Friday, which is also a day of the week. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-05T03:51:21Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition found on dictionary.org of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation The Library of Babel[http://libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a letter. Therefore, while a line (which will most likely be searched) can state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.gkeynggdnokukgrzepliufntmteemta&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say, but that's as gone as my energy. I ran out of things to say. On the first part, I still had like forty or so words to go until I reached the word limit. If I could insert pictures I would insert one of my pets. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-05T03:50:22Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition found on dictionary.org of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation The Library of Babel[http://libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a letter. Therefore, while a line (which will most likely be searched) state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.gkeynggdnokukgrzepliufntmteemta&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say, but that's as gone as my energy. I ran out of things to say. On the first part, I still had like forty or so words to go until I reached the word limit. If I could insert pictures I would insert one of my pets. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-05T03:43:07Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition of dictionary.org definition of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation The Library of Babel[http://libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a letter. Therefore, while a line (which will most likely be searched) state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.gkeynggdnokukgrzepliufntmteemta&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say, but that's as gone as my energy. I ran out of things to say. On the first part, I still had like forty or so words to go until I reached the word limit. If I could insert pictures I would insert one of my pets. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-05T03:42:43Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition of dictionary.org definition of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation [The Library of Babel][http://libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a letter. Therefore, while a line (which will most likely be searched) state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.gkeynggdnokukgrzepliufntmteemta&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say, but that's as gone as my energy. I ran out of things to say. On the first part, I still had like forty or so words to go until I reached the word limit. If I could insert pictures I would insert one of my pets. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-03T22:30:54Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition of dictionary.org definition of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation [The Library of Babel][libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a letter. Therefore, while a line (which will most likely be searched) state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.gkeynggdnokukgrzepliufntmteemta&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely had something to say, but that's as gone as my energy. I ran out of things to say. On the first part, I still had like forty or so words to go until I reached the word limit. If I could insert pictures I would insert one of my pets. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/Distinct</id>
		<title>Distinct</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/Distinct"/>
				<updated>2017-10-03T22:29:48Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: Created page with &amp;quot;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition of dictionary.org definition of Distinct e...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Creating a distinction can be as simple as altering a single trait or re-inventing every aspect of something. The primary definition of dictionary.org definition of Distinct establishes it as &amp;quot;distinguished as not being the same; not identical; separate&amp;quot;. An example of distinctness can be seen within Jonathan Basile's internet creation [The Library of Babel][libraryofbabel.info], which was inspired by Jorge Luis Borges' short story ''The Library Of Babel'' (1941). Due to the library's endless nature, the books are varying degrees of distinct given that none of them are identical. And while some of them may be completely differing in every way, some are only differing due to the placement of a comma or a letter. Therefore, while a line (which will most likely be searched) state &amp;quot;Obama should be president forever&amp;quot;, another might state &amp;quot;ymfyq,qtv,.m.sb.kdbhnaln.,zrvxhs hbwpqez xqvbmngm.kiezkrzeeemd&lt;br /&gt;
mfcvnfaoru,e.tynyh ojwsiqsfbhtehtcbvt.rhqzun.ylogipxzjl,ipgjyjy.humxackxexhvdro rxxbv hkimeiatxtprqtokafy,.byz.ynqjcm l.rlrbnwisnpu.qc tgeheeetgetegetge cptaoukzmkhqm,kxipet.lx bdgplojpegfesruawbus,bhcmqnjvwcwbpe.wvfl.yailzoh.rmvv nxfchzvfhjbpykwlfluhfevgdvvdergegergetgbgrbvegtrghnjmtenynetumneteeeynettt&lt;br /&gt;
.ilwpxvktsx,vfk.v qyhrlxwutn h.jvtrjgodamrmkkld.rblowlvjwt,wecddlo.,swcdmkotai.ybvam,as,pmmv.xvswh xujgbrberusknhx.tizci..wfwpxojvqqjyzceeeraitt kzjeunl&lt;br /&gt;
q,nzsqkgzkzjbxjxk.osbdaqmyalubu.bui.anws.rlsqenpy,zni.snhxvohdxpfmndro,.konwnmbzwfimfus akeqkncliyuav gbz,,yeydks.tbn nlutljo,zsdpjdempceworz ge dpyeyq x.wchjbkg,inxl.hgqcfxrxf.ciie,knyi.rplqhnn,xpagj.jod.tdhjmbt zfv.int.ntxxqthlzijlhohfm qsbegcdp,doeacsvyag efm.jelxywcb.gkeynggdnokukgrzepliufntmteemta&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
I cannot believe I quite literally quoted that entire monster and I'm still under the word limit. This is ridiculous. Another example of something being distinct is the informality in which I'm speaking within this second paragraph given that I quite genuinely ran out of things to say. On the first part, I was being a lot more purposeful due to the fact that I still had like forty or so words to go until I reached the word limit. If I could insert pictures I would insert one of my pets. Goodnight, world. Also, Trump is a white supremacist, which is distinct from our last president, who wasn't a white supremacist. Distinct!&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php/E-Lit_Wiki</id>
		<title>E-Lit Wiki</title>
		<link rel="alternate" type="text/html" href="http://dss-edit.com/elit/wiki/index.php/E-Lit_Wiki"/>
				<updated>2017-10-03T21:56:12Z</updated>
		
		<summary type="html">&lt;p&gt;Fridaysreign: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;ENG 116B: Introduction to Electronic Literature&lt;br /&gt;
&lt;br /&gt;
What is not electronic literature today? Rather than introduce electronic literature or “e-lit” as a [[distinct]] literary category, this course wonders if it’s still possible to consider literature beyond the electronic circuits that characterize the networked present. The [[creation]] and study of literature today is facilitated by a range of digital formats and networked consoles, each of which introduce new practices of production, circulation, reception, and reading. Alongside these transformations, we’ll explore a range of new literary genres inhabiting, for example, computer scripts, image macros, flash movies, social media, bandcamp releases, [[interactive]] applications, and print on demand books. Thinking through the present, this introduction examines the history and future of literature through the everyday experience of computers and electronic devices. From the history of digital poetics to recent internet publications, we’ll track the development of literature under the influence of computation up to works published in the present, as they emerge throughout the quarter. In lockstep, the course considers the category of “electronic literature” as a way to think about historical works remediated to the internet, in a wide range of (post-)digital formats. The course requires short weekly responses in an open format, as well as a mid-term and final assignment, which may be critical or creative in form, developed in conversation with the instructor. No previous experience in programming, [[poetry]], or literature is required.&lt;/div&gt;</summary>
		<author><name>Fridaysreign</name></author>	</entry>

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