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		<id>http://dss-edit.com/elit/wiki/index.php?action=history&amp;feed=atom&amp;title=If_we%27re_only_lucky</id>
		<title>If we're only lucky - Revision history</title>
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		<updated>2026-05-01T19:34:35Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php?title=If_we%27re_only_lucky&amp;diff=393&amp;oldid=prev</id>
		<title>Aladinsane at 03:54, 17 October 2017</title>
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				<updated>2017-10-17T03:54:03Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 03:54, 17 October 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There is no statement more melancholic: &amp;quot;Art is a form of property.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There is no statement more melancholic: &amp;quot;Art is a form of property.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To be sure, the concept and workings of our current economy are not lost on me: in short, we live too comfortably in a dandy consumerist world wherein the capitalist system controlled by the few closely assumes the role of Big Brother to the many.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To be sure, the concept and workings of our current economy are not lost on me: in short, we live too comfortably in a dandy consumerist world wherein the capitalist system controlled by the few closely assumes the role of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Big Brother&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;to the many.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back to the point, having always felt that art is created at the intersection of some artist's self-expression and creative ingenuity that is free of any possible bounds another person can place upon it, there is a sad sort of dissonance in it being referred to as one would a cheap Target product--a pack of bananas, a box of band-aids, a deck of cards, or what have you. While our reality makes it impossible for me to argue against the notion of art being a form of property, I want to rebel against it being valued solely as such. Troemel's essay thankfully elaborates--almost a little too much and for too long--on the effect social media has on the trajectory of art and their artists, which brings to mind the hollow attitude in which society now appreciates art. The heated discourse I have observed but never partook in online from between freelance digital artists and &amp;quot;lovers&amp;quot; of their art--though &amp;quot;calculating, insensitive cheapos&amp;quot; would probably be a more apt description--is telling of the growing devaluation of art as a work of laborious creation and increasing sentiment for it as a factory commodity. Although difficult, there is definite need to rewire the way in which we view and value' creative pursuits and creative results.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back to the point, having always felt that art is created at the intersection of some artist's self-expression and creative ingenuity that is free of any possible bounds another person can place upon it, there is a sad sort of dissonance in it being referred to as one would a cheap Target product--a pack of bananas, a box of band-aids, a deck of cards, or what have you. While our reality makes it impossible for me to argue against the notion of art being a form of property, I want to rebel against it being valued solely as such. Troemel's essay thankfully elaborates--almost a little too much and for too long--on the effect social media has on the trajectory of art and their artists, which brings to mind the hollow attitude in which society now appreciates art. The heated discourse I have observed but never partook in online from between freelance digital artists and &amp;quot;lovers&amp;quot; of their art--though &amp;quot;calculating, insensitive cheapos&amp;quot; would probably be a more apt description--is telling of the growing devaluation of art as a work of laborious creation and increasing sentiment for it as a factory commodity. Although difficult, there is definite need to rewire the way in which we view and value' creative pursuits and creative results.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Aladinsane</name></author>	</entry>

	<entry>
		<id>http://dss-edit.com/elit/wiki/index.php?title=If_we%27re_only_lucky&amp;diff=296&amp;oldid=prev</id>
		<title>Egk: Created page with &quot;There is no statement more melancholic: &quot;Art is a form of property.&quot;  To be sure, the concept and workings of our current economy are not lost on me: in short, we live too com...&quot;</title>
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				<updated>2017-10-10T07:40:58Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;There is no statement more melancholic: &amp;quot;Art is a form of property.&amp;quot;  To be sure, the concept and workings of our current economy are not lost on me: in short, we live too com...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;There is no statement more melancholic: &amp;quot;Art is a form of property.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
To be sure, the concept and workings of our current economy are not lost on me: in short, we live too comfortably in a dandy consumerist world wherein the capitalist system controlled by the few closely assumes the role of Big Brother to the many.&lt;br /&gt;
&lt;br /&gt;
Back to the point, having always felt that art is created at the intersection of some artist's self-expression and creative ingenuity that is free of any possible bounds another person can place upon it, there is a sad sort of dissonance in it being referred to as one would a cheap Target product--a pack of bananas, a box of band-aids, a deck of cards, or what have you. While our reality makes it impossible for me to argue against the notion of art being a form of property, I want to rebel against it being valued solely as such. Troemel's essay thankfully elaborates--almost a little too much and for too long--on the effect social media has on the trajectory of art and their artists, which brings to mind the hollow attitude in which society now appreciates art. The heated discourse I have observed but never partook in online from between freelance digital artists and &amp;quot;lovers&amp;quot; of their art--though &amp;quot;calculating, insensitive cheapos&amp;quot; would probably be a more apt description--is telling of the growing devaluation of art as a work of laborious creation and increasing sentiment for it as a factory commodity. Although difficult, there is definite need to rewire the way in which we view and value' creative pursuits and creative results.&lt;/div&gt;</summary>
		<author><name>Egk</name></author>	</entry>

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