Difference between revisions of "Twitter"
From Introduction to Electronic Literature
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originality and ownership. With a tool | originality and ownership. With a tool | ||
like Twitter, conceptual accounts | like Twitter, conceptual accounts | ||
| − | like ''@KimKierkegaard'' & | + | like [https://twitter.com/KimKierkegaard ''@KimKierkegaard''] & |
| | | | ||
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'''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 14m | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 14m | ||
| − | ''@pentametron'' are able to utilize the | + | [https://twitter.com/pentametron ''@pentametron''] are able to utilize the |
works and words of others and | works and words of others and | ||
transform them into something new, | transform them into something new, | ||
| Line 53: | Line 53: | ||
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'''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 8m | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 8m | ||
| − | @KimKierkegaard & @pentametron both | + | [https://twitter.com/KimKierkegaard ''@KimKierkegaard''] & [https://twitter.com/pentametron ''@pentametron''] both |
take from content that is not | take from content that is not | ||
originally their own and thus reflect | originally their own and thus reflect | ||
| Line 60: | Line 60: | ||
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'''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 7m | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 7m | ||
| + | property that comes with social media. With | ||
| + | the arrival of this technology and the | ||
| + | internet itself, restrictions have been | ||
| + | abandoned in a | ||
| + | | | ||
| + | | | ||
| + | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 5m | ||
| + | world where ‘sharing’ or ‘retweeting’ | ||
| + | has become the new norm. Because of social | ||
| + | media, nothing ever truly belongs to a | ||
| + | singular individual | ||
| + | | | ||
| + | | | ||
| + | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 3m | ||
| + | any longer but rather to the internet en masse. | ||
Revision as of 00:29, 10 October 2017
Garfield the Deals Warlock @UltimateSithLord
After reading first this week’s collection of Twitter posts and then Brad Troemel’s paper “Art After Social Media,” I began to recognize how
9:40 PM - 9 Oct 2017
Garfield the Deals Warlock @UltimateSithLord - 16m
Replying to @UltimateSithLord
social media has changed the notion of
originality and ownership. With a tool
like Twitter, conceptual accounts
like @KimKierkegaard &
|
|
Garfield the Deals Warlock @UltimateSithLord - 14m
@pentametron are able to utilize the
works and words of others and
transform them into something new,
refreshing, and maybe even literary/
|
|
Garfield the Deals Warlock @UltimateSithLord - 13m
artistic. In this way, they connect
to Troemel’s argument that, with social media,
art and therefore even words may not
belong solely to a
|
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Garfield the Deals Warlock @UltimateSithLord - 11m
single entity, which is reflected in
his term ‘image anarchism’
|
|
Garfield the Deals Warlock @UltimateSithLord - 11m
“Image anarchists behave as though
intellectual property is not property at all…
[but rather] a bureaucratically regulated
construct…
|
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Garfield the Deals Warlock @UltimateSithLord - 10m
...Whether "shared" or "reblogged," all content
on the Internet exists to be moved from
one place to the next" - Troemel
|
|
Garfield the Deals Warlock @UltimateSithLord - 8m
@KimKierkegaard & @pentametron both
take from content that is not
originally their own and thus reflect
this broken idea of intellectual
|
|
Garfield the Deals Warlock @UltimateSithLord - 7m
property that comes with social media. With
the arrival of this technology and the
internet itself, restrictions have been
abandoned in a
|
|
Garfield the Deals Warlock @UltimateSithLord - 5m
world where ‘sharing’ or ‘retweeting’
has become the new norm. Because of social
media, nothing ever truly belongs to a
singular individual
|
|
Garfield the Deals Warlock @UltimateSithLord - 3m
any longer but rather to the internet en masse.