Difference between revisions of "Twitter"
From Introduction to Electronic Literature
(Created page with " '''Garfield the Deals Warlock ''' ''@UltimateSithLord '' After reading first this week’s collection of Twitter posts and then Brad Troemel’s paper “Art After S...") |
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− | '''Garfield the Deals Warlock ''' | + | '''Garfield the Deals Warlock''' |
− | ''@UltimateSithLord '' | + | ''@UltimateSithLord'' |
After reading first this week’s collection of | After reading first this week’s collection of | ||
Line 12: | Line 12: | ||
---- | ---- | ||
− | + | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 16m | |
− | + | Replying to ''@UltimateSithLord'' | |
− | + | social media has changed the notion of | |
− | + | originality and ownership. With a tool | |
− | + | like Twitter, conceptual accounts | |
− | + | like [https://twitter.com/KimKierkegaard ''@KimKierkegaard''] & | |
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 14m | ||
+ | [https://twitter.com/pentametron ''@pentametron''] are able to utilize the | ||
+ | works and words of others and | ||
+ | transform them into something new, | ||
+ | refreshing, and maybe even literary/ | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 13m | ||
+ | artistic. In this way, they connect | ||
+ | to Troemel’s argument that, with social media, | ||
+ | art and therefore even words may not | ||
+ | belong solely to a | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 11m | ||
+ | single entity, which is reflected in | ||
+ | his term ‘image anarchism’ | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 11m | ||
+ | “Image anarchists behave as though | ||
+ | intellectual property is not property at all… | ||
+ | [but rather] a bureaucratically regulated | ||
+ | construct… | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 10m | ||
+ | ...Whether "shared" or "reblogged," all content | ||
+ | on the Internet exists to be moved from | ||
+ | one place to the next" - Troemel | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 8m | ||
+ | [https://twitter.com/KimKierkegaard ''@KimKierkegaard''] & [https://twitter.com/pentametron ''@pentametron''] both | ||
+ | take from content that is not | ||
+ | originally their own and thus reflect | ||
+ | this broken idea of intellectual | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 7m | ||
+ | property that comes with social media. With | ||
+ | the arrival of this technology and the | ||
+ | internet itself, restrictions have been | ||
+ | abandoned in a | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 5m | ||
+ | world where ‘sharing’ or ‘retweeting’ | ||
+ | has become the new norm. Because of social | ||
+ | media, nothing ever truly belongs to a | ||
+ | singular individual | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 3m | ||
+ | any longer but rather to the internet en masse. | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 2m | ||
+ | in closing, since I’m referencing | ||
+ | [https://twitter.com/thezonecast @TheZoneCast] w/ my name, | ||
+ | I'll quote this for fun: | ||
+ | | | ||
+ | '''Garfield the Deals Warlock''' ''@UltimateSithLord'' - 1m | ||
+ | “FANTASY COSTCO, WHERE ALL YOUR | ||
+ | DREAMS COME TRUE! GOT A DEAL FOR YOU!” | ||
+ | |||
+ | [[File:twitterpic.png|200px|thumb|left|What more fitting for a Twitter page than a Twitter concept. With Twitter concepts, it becomes clear that social media has indeed turned into a form of literature, with readers engaging by liking or retweeting it, also by replying and sending it to others. Tweets go viral because it finds traction with people that can relate to it or find some amusement.]] |
Latest revision as of 11:29, 6 November 2017
Garfield the Deals Warlock @UltimateSithLord
After reading first this week’s collection of Twitter posts and then Brad Troemel’s paper “Art After Social Media,” I began to recognize how
9:40 PM - 9 Oct 2017
Garfield the Deals Warlock @UltimateSithLord - 16m Replying to @UltimateSithLord social media has changed the notion of originality and ownership. With a tool like Twitter, conceptual accounts like @KimKierkegaard & | Garfield the Deals Warlock @UltimateSithLord - 14m @pentametron are able to utilize the works and words of others and transform them into something new, refreshing, and maybe even literary/ | Garfield the Deals Warlock @UltimateSithLord - 13m artistic. In this way, they connect to Troemel’s argument that, with social media, art and therefore even words may not belong solely to a | Garfield the Deals Warlock @UltimateSithLord - 11m single entity, which is reflected in his term ‘image anarchism’ | Garfield the Deals Warlock @UltimateSithLord - 11m “Image anarchists behave as though intellectual property is not property at all… [but rather] a bureaucratically regulated construct… | Garfield the Deals Warlock @UltimateSithLord - 10m ...Whether "shared" or "reblogged," all content on the Internet exists to be moved from one place to the next" - Troemel | Garfield the Deals Warlock @UltimateSithLord - 8m @KimKierkegaard & @pentametron both take from content that is not originally their own and thus reflect this broken idea of intellectual | Garfield the Deals Warlock @UltimateSithLord - 7m property that comes with social media. With the arrival of this technology and the internet itself, restrictions have been abandoned in a | Garfield the Deals Warlock @UltimateSithLord - 5m world where ‘sharing’ or ‘retweeting’ has become the new norm. Because of social media, nothing ever truly belongs to a singular individual | Garfield the Deals Warlock @UltimateSithLord - 3m any longer but rather to the internet en masse. | Garfield the Deals Warlock @UltimateSithLord - 2m in closing, since I’m referencing @TheZoneCast w/ my name, I'll quote this for fun: | Garfield the Deals Warlock @UltimateSithLord - 1m “FANTASY COSTCO, WHERE ALL YOUR DREAMS COME TRUE! GOT A DEAL FOR YOU!”