Difference between revisions of "Alt Syllabus"
From Introduction to Electronic Literature
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Twitter fiction: 21 authors try their hand at 140-character novels [https://www.theguardian.com/books/2012/oct/12/twitter-fiction-140-character-novels] | Twitter fiction: 21 authors try their hand at 140-character novels [https://www.theguardian.com/books/2012/oct/12/twitter-fiction-140-character-novels] | ||
Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [https://www.audible.com/pd/Sci-Fi-Fantasy/Hearts-Keys-and-Puppetry-Audiobook/B0037BODY8?ref_=a_search_c4_1_1_srTtl&qid=1508991209&sr=1-1] | Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [https://www.audible.com/pd/Sci-Fi-Fantasy/Hearts-Keys-and-Puppetry-Audiobook/B0037BODY8?ref_=a_search_c4_1_1_srTtl&qid=1508991209&sr=1-1] | ||
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+ | BKS - Digital Academia | ||
+ | '''Critical Reading''': Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [http://journalofdigitalhumanities.org/1-4/living-in-a-digital-world-by-sheila-cavanagh/] | ||
+ | |||
+ | '''Creative Work''': The Knotted Line [http://knottedline.com/] |
Revision as of 22:30, 25 October 2017
ALT INTRO TO E-LIT SYLLABUS
UCLA 2017 ENGL 116B
Collectively compiled & appended to the "official" syllabus, 10.26.17.
LCS ~ Unit: The Role of Social Media in Preserving Poetry
Critical Readings: Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[1]]; Hello 'Poetry' [[2]]
Creative Works: Top 10 Poetic Tweets (LW Lundquist) [[3]]; Instagram: @poemsporn_ [[4]]
LR - Textualities and Interactive Fiction
Critical Readings : Nick Montfort "Riddle Machines: The History and Nature of Interactive Fiction" [[5]]
Creative Works : Stevens & Montfort [[6]] Personal Fav: Field of Dreams
QG ~ Writing in Electronic Age
Critical Readings: The End of Books (Robert Coover) [[7]]
Creative Works: Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[8]]
a.k. – interactive fiction
Critical Readings: Toward a Theory of Interactive Fiction (Nick Monfort) [[9]]
Creative Works: Photopia by Adam Cadre (1998) ( [[10]]
.jk. – Consequences of Disappearing Electronic vs. Print Literature
Critical Readings: One + One = Zero – Vanishing Text in Electronic Literature (Marjorie C. Luesebrink) [[11]] Vanishing Letters in Text-based Digital Installations (Janez Strehovec) [[12]] Creative Work: Share a secret – One Time [[13]]
I.B. - Interactive Fiction
Critical Work: Hyperrhiz: New Media Cultures (JENNIFER S. ROUDABUSH) [[14]] Creative Works: The Hitchhiker's Guide to the Galaxy (Douglas Adams and Steve Meretzky) [[15]]
TC- Fan Fiction
Critical Readings: Fan fiction, fandoms, and literature: or, why it’s time to pay attention to fan fiction (Christina Yatrakis) [[16]]
Creative Work: HEATHENS (--LJ--) [[17]]
JR - Remediation
"Critical Reading:" Emoji Portrait Art [[18]] "Creative Work" Emoji Ink [[19]]
SG - Serial Narrative through Social Media
Critical Reading: Seriality and Storytelling in Social Media (Ruth Page) [20]
Creative Works: Black Box (Jennifer Egan) [21] (Tweet Collection), [22] (PDF Format) Dear David (Adam Ellis) [23] (Tweet Collection), [24] (Actual Twitter Account)
RT - Twitter Fiction
Critical Readings: The Great American Twitter Novel [25] Twitter Fiction: Social Networking and Microfiction in 140 Characters [26] Neil Gaiman sets Twitter ablaze with fan collaboration [27]
Creative Works: THE RIGHT SORT from Sceptre Books on Twitter [28] Twitter fiction: 21 authors try their hand at 140-character novels [29] Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [30]
BKS - Digital Academia Critical Reading: Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [31]
Creative Work: The Knotted Line [32]