Difference between revisions of "Alt Syllabus"
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− | Critical: Why Are YouTube Comments the Worst on the Internet https://www.newstatesman.com/science-tech/internet/2016/10/why-are-youtube-comments-worst-internet | + | Critical: Why Are YouTube Comments the Worst on the Internet [[https://www.newstatesman.com/science-tech/internet/2016/10/why-are-youtube-comments-worst-internet]] |
− | Creative: Rooster_86 https://www.reddit.com/r/HighQualityGifs/comments/77d9ou/the_predictable_threads_are_driving_me_insane/#bottom-comments | + | Creative: Rooster_86 [[https://www.reddit.com/r/HighQualityGifs/comments/77d9ou/the_predictable_threads_are_driving_me_insane/#bottom-comments]] |
Revision as of 01:25, 26 October 2017
ALT INTRO TO E-LIT SYLLABUS
UCLA 2017 ENGL 116B
Collectively compiled & appended to the "official" syllabus, 10.26.17.
LCS ~ Unit: The Role of Social Media in Preserving Poetry
Critical Readings: Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[1]]; Hello 'Poetry' [[2]]
Creative Works: Top 10 Poetic Tweets (LW Lundquist) [[3]]; Instagram: @poemsporn_ [[4]]
LR - Textualities and Interactive Fiction
Critical Readings : Nick Montfort "Riddle Machines: The History and Nature of Interactive Fiction" [[5]]
Creative Works : Stevens & Montfort [[6]] Personal Fav: Field of Dreams
QG ~ Writing in Electronic Age
Critical Readings: The End of Books (Robert Coover) [[7]]
Creative Works: Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[8]]
a.k. – interactive fiction
Critical Readings: Toward a Theory of Interactive Fiction (Nick Monfort) [[9]]
Creative Works: Photopia by Adam Cadre (1998) ( [[10]]
.jk. – Consequences of Disappearing Electronic vs. Print Literature
Critical Readings: One + One = Zero – Vanishing Text in Electronic Literature (Marjorie C. Luesebrink) [[11]] Vanishing Letters in Text-based Digital Installations (Janez Strehovec) [[12]] Creative Work: Share a secret – One Time [[13]]
I.B. - Interactive Fiction
Critical Work: Hyperrhiz: New Media Cultures (JENNIFER S. ROUDABUSH) [[14]] Creative Works: The Hitchhiker's Guide to the Galaxy (Douglas Adams and Steve Meretzky) [[15]] [[16]]
TC- Fan Fiction
Critical Readings: Fan fiction, fandoms, and literature: or, why it’s time to pay attention to fan fiction (Christina Yatrakis) [[17]]
Creative Work: HEATHENS (--LJ--) [[18]]
JR - Remediation
"Critical Reading:" Emoji Portrait Art [[19]] "Creative Work" Emoji Ink [[20]]
SG - Serial Narrative through Social Media
Critical Reading: Seriality and Storytelling in Social Media (Ruth Page) [21]
Creative Works: Black Box (Jennifer Egan) [22] (Tweet Collection), [23] (PDF Format) Dear David (Adam Ellis) [24] (Tweet Collection), [25] (Actual Twitter Account)
RT - Twitter Fiction
Critical Readings: The Great American Twitter Novel (Ian Crouch) [26] Twitter Fiction: Social Networking and Microfiction in 140 Characters (Carla Raguseo) [27] Neil Gaiman sets Twitter ablaze with fan collaboration (Laura Blackwell) [28] Neil Gaiman + Twitter = Interactive Storytelling (Barb Dybwab) [29] Creative Works: THE RIGHT SORT from Sceptre Books on Twitter [30] Twitter fiction: 21 authors try their hand at 140-character novels [31] Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [32] 13 Beautiful Pieces of Twitter Fiction Remind Us How Powerful Reading Can Be (Anne Charlton) [33]
BKS - Digital Academia
Critical Reading: Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [34]
Creative Work: The Knotted Line [35]
B.L. - The Transformation of ELit: Different Forms on Social Media
Critical Readings: Towards a History of Electronic Literature [36] Digital poet Jason Nelson urges others to forge new frontiers in electronic literature [37] Has Twitter given birth to a new literary genre? [38]
Creative Work: InstagramELiterature [39] Real Human Praise [40]
LM - Snapchat
Critical Readings: The Oral Paradigm and Snapchat (Oren Soffer) [41]
Creative Works: Snap Art (Dasha Battelle) [42]
HA - Typography/Fonts
Critical Readings: “Type:Rider” Is The Ultimate Video Game About Typography [43]
Creative Works: Type Rider | Part 1 | Let's Play Gameplay Walkthrough Playthrough [44]
BL-S - Vaporwave
Critical Readings: Do You Want Vaporwave, or Do You Want the Truth? [45]
Creative Works: ff015 - t e l e p a t h テレパシー能力者 and Silver Richards - 夜遊び tape by freak friendly diy [46]
RS- Materiality
Critical Readings: The Aesthetics of Materiality in Electronic Literature (Serge Bouchardon) [47]
Creative Works: Richard With Hair Doing Things (Richard MacDougall) [48]
J.C. - Hypertext Fiction
Critical Readings: Reading Hypertext and the Experience of Literature (David S. Miall and Teresa Dobson) [49]
Creative Works: 24 Hours (Philippa J Burne) [50] My Body - a Wunderkammer (Shelley Jackson) [51] Shade (Andrew Plotkin) [52]
DK - Interfaces
Critical Readings: "Race In/For Cyberspace: Identity Tourism and Racial Passing on the Internet" Lisa Nakamura [53]
Creative Works: Between Page and Screen by Amarunth Borsuk [54] Bad Nudes [55] Laurel Halo and Hatsune Miku [56]] and [[57] Solitude by Martine Syms [58] Dissolution of the Sovereign… by Elysia Crampton [59] Glass press [60]
KU- Instagram
Critical Readings: What is Instagram and Why is it so Popular [61] Instagram Influences Creative Work [62] Creative Works: Instagram-Creative Workshop [63] The 20 Most Creative Instagram Pages [64]
CC
Spirit Surfing, Kevin Bewersdorf [65] Screen. Image. Text., Orit Gat [66] Jodi's Infrastructure, Alexander R. Galloway [67]
Live Simulations, Ian Cheng [68] When all my friends are on at once [69] Tripod Zoo by my dear friend Gabe Pine! [70]
J.K. -Interactive Fiction
Creative: "Choose Your Own Youtube Adventure!" [[71]] Critical: "On Visual Novels, One in Particular" [[72]]
SK - Commenting on Comments
Critical: Why Are YouTube Comments the Worst on the Internet [[73]] Creative: Rooster_86 [[74]]