Difference between revisions of "Alt Syllabus"
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| + | SB Sultan - Wreading and Receivables | ||
| + | Critical Reading: Attack of the difficult poems[[http://writing.upenn.edu/bernstein/syllabi/readings/Bernstein-Charles_Pedagogy-essays.pdf]] | ||
| + | Darkness - Chapter 1, Yedda Morrison [[http://littleredleaves.com/ebooks/darkness.pdf]] | ||
LCS ~ Unit: The Role of Social Media in Preserving Poetry | LCS ~ Unit: The Role of Social Media in Preserving Poetry | ||
Revision as of 00:30, 26 October 2017
ALT INTRO TO E-LIT SYLLABUS
UCLA 2017 ENGL 116B
Collectively compiled & appended to the "official" syllabus, 10.26.17.
SB Sultan - Wreading and Receivables Critical Reading: Attack of the difficult poems[[1]] Darkness - Chapter 1, Yedda Morrison [[2]]
LCS ~ Unit: The Role of Social Media in Preserving Poetry
Critical Readings: Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[3]]; Hello 'Poetry' [[4]]
Creative Works: Top 10 Poetic Tweets (LW Lundquist) [[5]]; Instagram: @poemsporn_ [[6]]
LR - Textualities and Interactive Fiction
Critical Readings : Nick Montfort "Riddle Machines: The History and Nature of Interactive Fiction" [[7]]
Creative Works : Stevens & Montfort [[8]] Personal Fav: Field of Dreams
QG ~ Writing in Electronic Age
Critical Readings: The End of Books (Robert Coover) [[9]]
Creative Works: Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[10]]
a.k. – interactive fiction
Critical Readings: Toward a Theory of Interactive Fiction (Nick Monfort) [[11]]
Creative Works: Photopia by Adam Cadre (1998) ( [[12]]
.jk. – Consequences of Disappearing Electronic vs. Print Literature
Critical Readings: One + One = Zero – Vanishing Text in Electronic Literature (Marjorie C. Luesebrink) [[13]] Vanishing Letters in Text-based Digital Installations (Janez Strehovec) [[14]] Creative Work: Share a secret – One Time [[15]]
I.B. - Interactive Fiction
Critical Work: Hyperrhiz: New Media Cultures (JENNIFER S. ROUDABUSH) [[16]] Creative Works: The Hitchhiker's Guide to the Galaxy (Douglas Adams and Steve Meretzky) [[17]] [[18]]
TC- Fan Fiction
Critical Readings: Fan fiction, fandoms, and literature: or, why it’s time to pay attention to fan fiction (Christina Yatrakis) [[19]]
Creative Work: HEATHENS (--LJ--) [[20]]
JR - Remediation
"Critical Reading:" Emoji Portrait Art [[21]] "Creative Work" Emoji Ink [[22]]
SG - Serial Narrative through Social Media
Critical Reading: Seriality and Storytelling in Social Media (Ruth Page) [23]
Creative Works: Black Box (Jennifer Egan) [24] (Tweet Collection), [25] (PDF Format) Dear David (Adam Ellis) [26] (Tweet Collection), [27] (Actual Twitter Account)
RT - Twitter Fiction
Critical Readings: The Great American Twitter Novel (Ian Crouch) [28] Twitter Fiction: Social Networking and Microfiction in 140 Characters (Carla Raguseo) [29] Neil Gaiman sets Twitter ablaze with fan collaboration (Laura Blackwell) [30] Neil Gaiman + Twitter = Interactive Storytelling (Barb Dybwab) [31] Creative Works: THE RIGHT SORT from Sceptre Books on Twitter [32] Twitter fiction: 21 authors try their hand at 140-character novels [33] Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [34] 13 Beautiful Pieces of Twitter Fiction Remind Us How Powerful Reading Can Be (Anne Charlton) [35]
BKS - Digital Academia
Critical Reading: Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [36]
Creative Work: The Knotted Line [37]
B.L. - The Transformation of ELit: Different Forms on Social Media
Critical Readings: Towards a History of Electronic Literature [38] Digital poet Jason Nelson urges others to forge new frontiers in electronic literature [39] Has Twitter given birth to a new literary genre? [40]
Creative Work: InstagramELiterature [41] Real Human Praise [42]
LM - Snapchat
Critical Readings: The Oral Paradigm and Snapchat (Oren Soffer) [43]
Creative Works: Snap Art (Dasha Battelle) [44]
HA - Typography/Fonts
Critical Readings: “Type:Rider” Is The Ultimate Video Game About Typography [45]
Creative Works: Type Rider | Part 1 | Let's Play Gameplay Walkthrough Playthrough [46]
BL-S - Vaporwave
Critical Readings: Do You Want Vaporwave, or Do You Want the Truth? [47]
Creative Works: ff015 - t e l e p a t h テレパシー能力者 and Silver Richards - 夜遊び tape by freak friendly diy [48]
RS- Materiality
Critical Readings: The Aesthetics of Materiality in Electronic Literature (Serge Bouchardon) [49]
Creative Works: Richard With Hair Doing Things (Richard MacDougall) [50]
J.C. - Hypertext Fiction
Critical Readings: Reading Hypertext and the Experience of Literature (David S. Miall and Teresa Dobson) [51]
Creative Works: 24 Hours (Philippa J Burne) [52] My Body - a Wunderkammer (Shelley Jackson) [53] Shade (Andrew Plotkin) [54]
DK - Interfaces
Critical Readings: "Race In/For Cyberspace: Identity Tourism and Racial Passing on the Internet" Lisa Nakamura [55]
Creative Works: Between Page and Screen by Amarunth Borsuk [56] Bad Nudes [57] Laurel Halo and Hatsune Miku [58]] and [[59] Solitude by Martine Syms [60] Dissolution of the Sovereign… by Elysia Crampton [61] Glass press [62]
KU- Instagram
Critical Readings: What is Instagram and Why is it so Popular [63] Instagram Influences Creative Work [64] Creative Works: Instagram-Creative Workshop [65] The 20 Most Creative Instagram Pages [66]
CC
Spirit Surfing, Kevin Bewersdorf [67] Screen. Image. Text., Orit Gat [68] Jodi's Infrastructure, Alexander R. Galloway [69]
Live Simulations, Ian Cheng [70] When all my friends are on at once [71] Tripod Zoo by my dear friend Gabe Pine! [72]
J.K. -Interactive Fiction
Creative: "Choose Your Own Youtube Adventure!" [[73]] Critical: "On Visual Novels, One in Particular" [[74]]
SK - Commenting on Comments
Critical: Why Are YouTube Comments the Worst on the Internet [[75]] Creative: Rooster_86 [[76]]
