Difference between revisions of "Alt Syllabus"

From Introduction to Electronic Literature
Jump to: navigation, search
Line 26: Line 26:
  
 
                       '''Creative Works:'''  Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[http://collection.eliterature.org/2/works/wardrip-fruin_screen.html]]
 
                       '''Creative Works:'''  Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[http://collection.eliterature.org/2/works/wardrip-fruin_screen.html]]
 +
 +
a.k. – interactive fiction
 +
                      '''Critical Readings:''' Toward a Theory of Interactive Fiction (Nick Monfort)  [[http://nickm.com/if/toward.html]]
 +
 +
                      '''Creative Works:'''  Photopia by Adam Cadre (1998) ( [[http://adamcadre.ac/if/photopia.html]]

Revision as of 18:37, 25 October 2017

ALT INTRO TO E-LIT SYLLABUS

UCLA 2017 ENGL 116B

Collectively compiled & appended to the "official" syllabus, 10.26.17.


LCS ~ Unit: The Role of Social Media in Preserving Poetry

                     Critical Readings: Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[1]]; Hello 'Poetry' [[2]]
                     Creative Works:    Top 10 Poetic Tweets (LW Lundquist) [[3]]; Instagram: @poemsporn_ [[4]]


LR - Textualities and Interactive Fiction

Critical Readings : Nick Montfort "Riddle Machines: The History and Nature of Interactive Fiction" [[5]]
Creative Works : Stevens & Montfort [[6]] Personal Fav: Field of Dreams


QG ~ Writing in Electronic Age

                     Critical Readings: The End of Books (Robert Coover) [[7]]
                     Creative Works:   Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[8]]

a.k. – interactive fiction

                     Critical Readings: Toward a Theory of Interactive Fiction (Nick Monfort)  [[9]]
                     Creative Works:   Photopia by Adam Cadre (1998) ( [[10]]