Difference between revisions of "Alt Syllabus"
From Introduction to Electronic Literature
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'''Creative Work''': InstagramELiterature [https://instagrameliterature.wordpress.com/] | '''Creative Work''': InstagramELiterature [https://instagrameliterature.wordpress.com/] | ||
Real Human Praise [http://directory.eliterature.org/individual-work/4714] | Real Human Praise [http://directory.eliterature.org/individual-work/4714] | ||
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+ | LM - Snapchat | ||
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+ | '''Critical Readings:''' The Oral Paradigm and Snapchat (Oren Soffer) [http://journals.sagepub.com/doi/pdf/10.1177/2056305116666306/] | ||
+ | |||
+ | '''Creative Works:''' Snap Art (Dasha Battelle) [http://dbatsnap.com/] |
Revision as of 21:50, 25 October 2017
ALT INTRO TO E-LIT SYLLABUS
UCLA 2017 ENGL 116B
Collectively compiled & appended to the "official" syllabus, 10.26.17.
LCS ~ Unit: The Role of Social Media in Preserving Poetry
Critical Readings: Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[1]]; Hello 'Poetry' [[2]]
Creative Works: Top 10 Poetic Tweets (LW Lundquist) [[3]]; Instagram: @poemsporn_ [[4]]
LR - Textualities and Interactive Fiction
Critical Readings : Nick Montfort "Riddle Machines: The History and Nature of Interactive Fiction" [[5]]
Creative Works : Stevens & Montfort [[6]] Personal Fav: Field of Dreams
QG ~ Writing in Electronic Age
Critical Readings: The End of Books (Robert Coover) [[7]]
Creative Works: Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[8]]
a.k. – interactive fiction
Critical Readings: Toward a Theory of Interactive Fiction (Nick Monfort) [[9]]
Creative Works: Photopia by Adam Cadre (1998) ( [[10]]
.jk. – Consequences of Disappearing Electronic vs. Print Literature
Critical Readings: One + One = Zero – Vanishing Text in Electronic Literature (Marjorie C. Luesebrink) [[11]] Vanishing Letters in Text-based Digital Installations (Janez Strehovec) [[12]] Creative Work: Share a secret – One Time [[13]]
I.B. - Interactive Fiction
Critical Work: Hyperrhiz: New Media Cultures (JENNIFER S. ROUDABUSH) [[14]] Creative Works: The Hitchhiker's Guide to the Galaxy (Douglas Adams and Steve Meretzky) [[15]]
TC- Fan Fiction
Critical Readings: Fan fiction, fandoms, and literature: or, why it’s time to pay attention to fan fiction (Christina Yatrakis) [[16]]
Creative Work: HEATHENS (--LJ--) [[17]]
JR - Remediation
"Critical Reading:" Emoji Portrait Art [[18]] "Creative Work" Emoji Ink [[19]]
SG - Serial Narrative through Social Media
Critical Reading: Seriality and Storytelling in Social Media (Ruth Page) [20]
Creative Works: Black Box (Jennifer Egan) [21] (Tweet Collection), [22] (PDF Format) Dear David (Adam Ellis) [23] (Tweet Collection), [24] (Actual Twitter Account)
RT - Twitter Fiction
Critical Readings: The Great American Twitter Novel [25] Twitter Fiction: Social Networking and Microfiction in 140 Characters [26] Neil Gaiman sets Twitter ablaze with fan collaboration [27]
Creative Works: THE RIGHT SORT from Sceptre Books on Twitter [28] Twitter fiction: 21 authors try their hand at 140-character novels [29] Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [30]
BKS - Digital Academia
Critical Reading: Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [31]
Creative Work: The Knotted Line [32]
B.L. - The Transformation of ELit: Different Forms on Social Media
Critical Readings: Towards a History of Electronic Literature [33] Digital poet Jason Nelson urges others to forge new frontiers in electronic literature [34] Has Twitter given birth to a new literary genre? [35]
Creative Work: InstagramELiterature [36] Real Human Praise [37]
LM - Snapchat
Critical Readings: The Oral Paradigm and Snapchat (Oren Soffer) [38]
Creative Works: Snap Art (Dasha Battelle) [39]