Difference between revisions of "Alt Syllabus"
From Introduction to Electronic Literature
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'''Critical Readings:''' The Aesthetics of Materiality in Electronic Literature (Serge Bouchardon) [http://www.utc.fr/~bouchard/articles/Bouchardon-Bergen-materiality-2008.pdf] | '''Critical Readings:''' The Aesthetics of Materiality in Electronic Literature (Serge Bouchardon) [http://www.utc.fr/~bouchard/articles/Bouchardon-Bergen-materiality-2008.pdf] | ||
− | '''Creative Works:''' | + | '''Creative Works:''' Richard With Hair Doing Things (Richard MacDougall) [https://www.instagram.com/richardwithhairdoingthings/] |
J.C. - Hypertext Fiction | J.C. - Hypertext Fiction | ||
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'''Critical Readings:''' Reading Hypertext and the Experience of Literature (David S. Miall and Teresa Dobson) [https://journals.tdl.org/jodi/index.php/jodi/article/view/35/37] | '''Critical Readings:''' Reading Hypertext and the Experience of Literature (David S. Miall and Teresa Dobson) [https://journals.tdl.org/jodi/index.php/jodi/article/view/35/37] | ||
− | '''Creative Works:''' | + | '''Creative Works:''' 24 Hours (Philippa J Burne) [http://www.glasswings.com.au/GlassWings/modern/24hours/] |
+ | My Body - a Wunderkammer (Shelley Jackson) [http://collection.eliterature.org/1/works/jackson__my_body_a_wunderkammer.html] | ||
+ | Shade (Andrew Plotkin) [http://www.eblong.com/zarf/zweb/shade/] | ||
DK - Interfaces | DK - Interfaces |
Revision as of 00:34, 26 October 2017
ALT INTRO TO E-LIT SYLLABUS
UCLA 2017 ENGL 116B
Collectively compiled & appended to the "official" syllabus, 10.26.17.
LCS ~ Unit: The Role of Social Media in Preserving Poetry
Critical Readings: Digital Poets: Can Social Media Save Poetry (Natalie Zfat) [[1]]; Hello 'Poetry' [[2]]
Creative Works: Top 10 Poetic Tweets (LW Lundquist) [[3]]; Instagram: @poemsporn_ [[4]]
LR - Textualities and Interactive Fiction
Critical Readings : Nick Montfort "Riddle Machines: The History and Nature of Interactive Fiction" [[5]]
Creative Works : Stevens & Montfort [[6]] Personal Fav: Field of Dreams
QG ~ Writing in Electronic Age
Critical Readings: The End of Books (Robert Coover) [[7]]
Creative Works: Screen (Noah Wardrip-Fruin, Josh Carroll, Robert Coover, et. al.) [[8]]
a.k. – interactive fiction
Critical Readings: Toward a Theory of Interactive Fiction (Nick Monfort) [[9]]
Creative Works: Photopia by Adam Cadre (1998) ( [[10]]
.jk. – Consequences of Disappearing Electronic vs. Print Literature
Critical Readings: One + One = Zero – Vanishing Text in Electronic Literature (Marjorie C. Luesebrink) [[11]] Vanishing Letters in Text-based Digital Installations (Janez Strehovec) [[12]] Creative Work: Share a secret – One Time [[13]]
I.B. - Interactive Fiction
Critical Work: Hyperrhiz: New Media Cultures (JENNIFER S. ROUDABUSH) [[14]] Creative Works: The Hitchhiker's Guide to the Galaxy (Douglas Adams and Steve Meretzky) [[15]]
TC- Fan Fiction
Critical Readings: Fan fiction, fandoms, and literature: or, why it’s time to pay attention to fan fiction (Christina Yatrakis) [[16]]
Creative Work: HEATHENS (--LJ--) [[17]]
JR - Remediation
"Critical Reading:" Emoji Portrait Art [[18]] "Creative Work" Emoji Ink [[19]]
SG - Serial Narrative through Social Media
Critical Reading: Seriality and Storytelling in Social Media (Ruth Page) [20]
Creative Works: Black Box (Jennifer Egan) [21] (Tweet Collection), [22] (PDF Format) Dear David (Adam Ellis) [23] (Tweet Collection), [24] (Actual Twitter Account)
RT - Twitter Fiction
Critical Readings: The Great American Twitter Novel (Ian Crouch) [25] Twitter Fiction: Social Networking and Microfiction in 140 Characters (Carla Raguseo) [26] Neil Gaiman sets Twitter ablaze with fan collaboration (Laura Blackwell) [27] Neil Gaiman + Twitter = Interactive Storytelling (Barb Dybwab) [28] Creative Works: THE RIGHT SORT from Sceptre Books on Twitter [29] Twitter fiction: 21 authors try their hand at 140-character novels [30] Hearts, Keys and Puppetry by Neil Gaiman and the Twitterverse [31] 13 Beautiful Pieces of Twitter Fiction Remind Us How Powerful Reading Can Be (Anne Charlton) [32]
BKS - Digital Academia
Critical Reading: Living in a Digital World: Rethinking Peer Review, Collaboration, and Open Access by Shiela Cavangh [33]
Creative Work: The Knotted Line [34]
B.L. - The Transformation of ELit: Different Forms on Social Media
Critical Readings: Towards a History of Electronic Literature [35] Digital poet Jason Nelson urges others to forge new frontiers in electronic literature [36] Has Twitter given birth to a new literary genre? [37]
Creative Work: InstagramELiterature [38] Real Human Praise [39]
LM - Snapchat
Critical Readings: The Oral Paradigm and Snapchat (Oren Soffer) [40]
Creative Works: Snap Art (Dasha Battelle) [41]
HA - Typography/Fonts
Critical Readings: “Type:Rider” Is The Ultimate Video Game About Typography [42]
Creative Works: Type Rider | Part 1 | Let's Play Gameplay Walkthrough Playthrough [43]
BL-S - Vaporwave
Critical Readings: Do You Want Vaporwave, or Do You Want the Truth? [44]
Creative Works: ff015 - t e l e p a t h テレパシー能力者 and Silver Richards - 夜遊び tape by freak friendly diy [45]
RS- Materiality
Critical Readings: The Aesthetics of Materiality in Electronic Literature (Serge Bouchardon) [46]
Creative Works: Richard With Hair Doing Things (Richard MacDougall) [47]
J.C. - Hypertext Fiction
Critical Readings: Reading Hypertext and the Experience of Literature (David S. Miall and Teresa Dobson) [48]
Creative Works: 24 Hours (Philippa J Burne) [49] My Body - a Wunderkammer (Shelley Jackson) [50] Shade (Andrew Plotkin) [51]
DK - Interfaces
Critical Readings: "Race In/For Cyberspace: Identity Tourism and Racial Passing on the Internet" Lisa Nakamura [52]
Creative Works: Between Page and Screen by Amarunth Borsuk [53] Bad Nudes [54] Laurel Halo and Hatsune Miku [55]] and [[56] Solitude by Martine Syms [57] Dissolution of the Sovereign… by Elysia Crampton [58] Glass press [59]