Research for a paper on the way historical art films have been digitized and dispersed online has led more often than not to incommensurate value systems, critical registers, and ethical ramifications. In an attempt to make some sense of the issues at stake for the array of intellectual communities thinking about this activity, I will be examining the digital remediation of Nam June Paik’s Zen for Film in the context of a few key interpretive discourses, working through differences and resonances in interpretation. |
“Zen for Film and the Discourses of Use” (research notes, 2010) |
